O Jogo da Fuga

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&ldquo;The toll that Burns&rsquo;s silence took manifested in several forms, and she details them here in a thoughtfully written examination of what motivated her to keep silent while other victims spoke out&rdquo;&#160;&mdash;Library Journal, starred review&ldquo;A haunting debut memoir about the price of keeping secrets&hellip; [S]lim, lyrically evocative.&rdquo;&mdash;Kirkus Reviews&ldquo;[A] raw, painful memoir ...&#160;at its most compelling when Burns sketches the contours of her girlhood&#160;...&#160;rendering them not quaint but stifling and ominous.&rdquo;&#160;&mdash;Boston Globe&ldquo;Burns&rsquo; writing is deliciously dense and full of perfectly picked observations.... Cinderland&#160;is a powerful and captivating memoir.&rdquo;&mdash;The Rumpus&ldquo;With gentle, focused prose, [Burns] turns the confessional memoir genre upside down.&rdquo;&mdash;Pittsburgh Quarterly&ldquo;An expository reflection on how a place shapes our own sense of self.&rdquo;&mdash;Star Tribune&ldquo;A scorching memoir about a town divided.&rdquo;&mdash;The&#160;Kansas City Star&ldquo;[Burns]&#160;has a way with words that allows her to make her sleepy town and the dilapidated Pittsburgh area of the 1990s glimmer. &hellip; Her writing is affecting without being sensational, and the reader&rsquo;s heart is left aching at the end of each chapter.&rdquo;&mdash;The Pittsburgh Post-Gazette&ldquo;Burns writes beautifully of coming of age in a rust belt town.&rdquo;&mdash;The Star-Ledger&ldquo;A rare and important work . . . Burns has brought something utterly new and distinctive to the art of the memoir.&rdquo; &mdash;Louise DeSalvo, author of Writing as a Way of Healing: How Telling Our Stories Can Change Our Lives&ldquo;Amy Jo Burns has written a humane and lapidary account of her Rust Belt childhood: the claustrophobia, the yearning for escape, the weight and consequence of secrets. I have never read a book that captures small-town American life so perfectly.&rdquo;&mdash;Justin St. Germain, author of&#160;Son of a Gun&#160;&ldquo;Amy Jo Burns&rsquo;s Cinderland is an exquisite achievement. From the first page to the last, I held my breath as Burns held my heart. She writes of small Rust Belt towns and the boys and girls who grow up and apart in those towns and the overwhelming need for escape and what happens when secrets no one should have to bear burn and burn. This book demands to be read.&rdquo;&mdash;Roxane Gay, author of&#160;An Untamed State&ldquo;Memoir of the highest order, Cinderland lovingly gives voice to a troubled community, small-town summers, young love and heartbreak, a scandal that tears a town apart, and the memory of a young girl who told a dangerous lie. Or did she? Amy Jo Burns writes like a dream, beyond her years, and this book is gripping, generous, and wise.&rdquo;&mdash;Scott Cheshire, author of High as the Horses' Bridles &#160;&ldquo;Amy Jo Burns delivers an unerring report from inside the universe of a teenaged girl struggling to escape the town she both loves and mistrusts. This is a place that insists on secrets held, and she is a good girl, holding hers tenaciously, at all costs.&rdquo;&mdash;Meredith Hall, author Without a Map&ldquo;&lsquo;I did not want to tell this story,&rsquo; Amy Jo Burns confesses in Cinderland, but readers will be glad she did. This memoir is testament to the incinerating power of secrets and the steely resolve of survivors. But it&rsquo;s also an unforgettable portrait of a small Rust Belt town in decline, and in that sense it is a story about America, one of ruin and reinvention, of ashes and incandescence.&rdquo;&mdash;Elliott Holt, author of You Are One of Them

Cinderland

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Ideology, Culture, and Translation

O Jogo da Fuga

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