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&ldquo;Not only is Isacoff&rsquo;s prose evocative, he is both a pianist and a historian of the piano. His descriptions are often music lessons in themselves.&rdquo; &mdash;The New York Review of Books &ldquo;If you want to know why Cliburn played the way he played&mdash;and how his distinctive style helped him win&mdash;then Mr. Isacoff is your man.&rdquo; &mdash;The Wall Street Journal &ldquo;A vivid tale of politics and music in high places.&rdquo; &mdash;Financial Times  &#160; &ldquo;Riveting. . . . [Isacoff] approaches the subject with the seasoned eye of a classical music journalist.&rdquo; &mdash;Gramophone&ldquo;I have never read a more beautiful or penetrating description of Cliburn&rsquo;s Moscow triumph. . . . [A] deeply human portrait. . . . Through this book, it seems we can finally know Van Cliburn.&rdquo; &mdash;Tim Madigan, Fort Worth Star-Telegram &ldquo;Stuart Isacoff is a music scholar, and a superb one. . . . This was a fascinating and important event. . . . A juicy book.&rdquo; &mdash;The National Review  &ldquo;A page-turner that resonates long after the final sentence. . . . Compelling, historically vivid. . . . You simply must read this book.&rdquo; &mdash;American Music Teacher  &ldquo;Detailed and vivid. . . . Isacoff brings both a pianist&rsquo;s insights and a historian&rsquo;s rigor to an event that shook the musical world&mdash;indeed, the world at large.&rdquo; &mdash;Classical Voice North America &ldquo;A great book about a great American musician who, in the tensions of Cold War, helped move our world from war to peace, from direct confrontation to peaceful coexistence.&rdquo; &mdash;Sergei Khrushchev, author of&#160;Khrushchev in Power &ldquo;Exciting, thorough, and deeply moving. . . . A most satisfying experience.&rdquo; &mdash;Emanuel Ax, Musician  &ldquo;Stuart Isacoff lets us relive the career-birth of an American musical hero and a politically momentous event as profound as the collapse of the Berlin Wall. Beautifully written, this is an insider&rsquo;s report of the onstage and offstage drama.&rdquo; &mdash;Andr&eacute; Watts, Concert Pianist  &ldquo;Extensively researched and illuminating . . . revisits&#160;the 1958 Tchaikovsky Competition in Moscow from a broader perspective, providing new information about that event and its elusive winner.&rdquo; &mdash;Barbara Jepson, President, Music Critics Association of North America  &ldquo;Vivid. . . . An insider narrative. . . . Isacoff compellingly details the various backstage intrigues.&rdquo; &mdash;Los Angeles Review of Books  &ldquo;A polished, chatty retelling of the most consequential competition in the political history of classical music. Isacoff pulls aside the curtain on the competition. . . . He combines a sharp, unsparing biographical eye with a mastery of the musical and social history of the time.&rdquo; &mdash;Book Reporter  &ldquo;A rare look at one of the most inspiring events in the history of music. It is the story of artists&rsquo; struggle and their victory over political intrigues and conspiracies and political hate.&rdquo; &mdash;The Washington Book Review  &ldquo;Beautifully written, this will undoubtedly be the reference book about the life of a pianist who, not unlike the Russian Sputnik satellites which shot to world fame as fast as they burnt out, left a blinding light in piano history.&rdquo; &mdash;Pianist (UK)&ldquo;Well-researched. . . . Recreates what seems like a time so long ago.&rdquo; &mdash;New York Journal of Books

Van Cliburn's Cold War Triumph, and Its Aftermath

When the World Stopped to Listen

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Electricity in Medicine and Surgery

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