Umbruch in der Industrie und Wachstum der Wirtschaft

Kernkompetenzen von Tech-Start-ups in Kenia

Philosophical Theory of the State Related Essays

Production of N-containing Chemicals and Materials from Biomass

My First Encyclopedia of Animals

Celebrity, Modernity, Culture

Modernist Star Maps

Semiological Sketches

American Mythologies

Security and the Constitution of Non-citizen Subjects

At the Edges of Citizenship

"The writing, like the book&#39;s title, is engaging; it inspires reflection."&#160;

The Island Civilization of Ancient Hawai'i

A Shark Going Inland Is My Chief

Metaphern im Alltag

Ursachen, Folgen und Präventionsmaßnahmen

Bulimie im Jugendalter

Norms, Procedures, Outcomes

Legitimacy and Trust in Criminal Law, Policy and Justice

Päderastie in Sparta. Pädagogischer Eros in kriegerischen Kulturen der Antike

Customer Relationship Management. Die Grundlagen des CRM

Legal Decisions and Family Outcomes

Child Custody

Social Capital in the City

Networked Urbanism

Praise for Wanda Coleman

Wicked Enchantment: Selected Poems (2020)”Wanda Coleman was a great poet, a real in-the-flesh, flesh-eating poet who also happened to be a real black woman. Amid a life of single motherhood, multiple marriages, and multiple jobs that included waitress, medical file clerk, and screenwriter, she made poems. She denounced boredom, cowardice, the status quo. Few poets of any stripe write with as much forthrightness about poverty, about literary ambition, about depression, about our violent, fragile passions.” —Terrance Hayes

The Riot Inside Me: More Trial and Tremors (2005): “Coleman is best known for her ‘warrior voice.’ [But her] voice too can weep elegiac, summoning memories of childhood’s neighborhoods – her South L.A.’s wild-frond palms, the smog-smear of pre-ecology consciousness. Her voice hits notes as desperate as Billie Holiday’s tours of sorrow’s more desolate stretches. But it can also land a wily punch line as solid as that of a stand-up comic.”—Los Angeles Times

Mercurochrome (2001): "Wanda Coleman’s poetry stings, stains, and ultimately helps heal wounds like the old-fashioned mercurochrome of her title. No easy remedy for the lacerating American concerns of racism and gender bias, Coleman’s poetry transforms pain into empathy. . . these searing, soaring poems challenge us to repair the fractures of human difference, and feel what it is to be made whole again."—The National Book Award Poetry Judges 2001, Stanley Plumly, Chair

Bathwater Wine (1998): “A poet whose angry and extravagant music, so far beyond baroque, has been making itself heard across the divide between West Coast and East, establishment and margins, slams and seminars, across the too-American rift among races and genders.” —from the jury's citation for the 1999 Lenore Marshall Poetry Prize

Hand Dance (1993): "Coleman’s poems are an act of liberation, meant to be experienced as something almost physical, like a punch or a whipping . . . she wants her language to express anger, to incite anger, and to shake all those who read it out of their complacency."—The Nation

b>African Sleeping Sickness (1990): "Coleman is one of the decade's most moral poets, showing us in feverishly focused first- and third-person dramatic monologues the grim life of L.A.'s streets. It's impossible to paraphrase her colloquial, dynamic style: where I live / the little gangsters diddy-bop through and pick up / young bitches and flirt with old ones, looking to / snatch somebody's purse or find their way into somebody's / snatch 'cause mama don't want them at home and papa / is a figment and them farms them farms them farms / they call schools, and mudflapped bushy-headed entities / swoop the avenue seeking death / it's the only thrill left / where I live Understanding does not mean, to Coleman, mild forgiveness, it means hot rage against those of any color who prey on others in pain. Contextualizing murder, rape, poverty, addiction showing us their human faces gives Coleman a 'shattered heart,' makes her feel 'thrown heart first into this ruin,' but the experience transforms the reader." —Booklist

War of Eyes (1988): "These are extraordinary stories, told in a powerful voice. This is the painful reality of the powerlessness that is too often shrouded in bureaucratic anonymity—a probation number, a welfare case number. Coleman, with her fine poet’s eye and strong intense language, brings to life their somber existences."—Los Angeles Times Book Review, front page

Imagoes

A Mystic Song

The Anarchy of Black Religion

Philosophy of the Unconscious

Scientific Education in Its Relations to Industry. an Address Delivered at the Twenty-First Annivers

Dezentrale Steuerung und Selbstmanagement. Herausforderungen der Unternehmensführung

Wie Gutachter die Strafjustiz beeinflussen

Die unheimlichen Richter

Tasty Cakes

Creating Inclusivity, Cosmopolitanism and Difference

Multiculturalism's Double-Bind

Anleitung zum richtigen Pendeln mit Pendeltafeln für Körper, Seele und Geist

Das Pendel-Handbuch

Probleme politischer Kommunikation

Smart Approaches to Differentiation and Engagement

Foreign Direct Investment

Die grafischen Reize einer außerordentlichen Region in schwarz-weiß

Toscana - monocromatico (Wandkalender 2025 DIN A3 quer), CALVENDO Monatskalender

The Dragon Ring

Ad Hoc, Vehicular and Mesh Networks

Mobility Models for Next Generation Wireless Networks

Psychothriller

Das Geschenk

Studien zur Rezeption der Leviratstora, zu den Eheschließungsritualen im Tobitbuch und zu den Ehen der Samaritanerin in Johannes 4

Eheschließungen im frühen Judentum

Kernkompetenzen von Tech-Start-ups in Kenia

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