Ce qu¿on voit et ce qu¿on ne voit pas

Stoke Poges Church: The Country Churchyard

Only a handful of poets live on the earth at any given time, and I believe Michael Burkard to be one of them. What a joy-and how humbling-to be confronted by an artist who has utterly abandoned himself to beauty and truth." --Denis JohnsonPoets whose principle source of inspiration is a well of deep sorrow, as Burkard's is, tend to avoid sentimentality either by tempering their feeling with formal rigor and stylistic complexity or else simply by rendering it too raw and frayed around the edges to be thought mawkish or soft. Rambling, hard-hitting, and sometimes downright bizarre ( I am hugging myself to death, declarative,/ ... like/ a moist nun ), Burkard most often takes the latter approach, but at his sharpest and best, he demonstrates how the two ways of keeping pathos in check can, in fact, cooperate: I am so tired/ of disagreeing/ I almost want death/ once, twice/ want death to get it/ over with, over there/ here, light or not. This retrospective gathers poems from five of Burkard's early books, 47 previously uncollected poems and a brief author's preface. While a greater selectiveness would have intensified the impact of this volume and many of the poems in it, Burkard probably shouldn't be read for the scrupulousness of his editing but for his appealing introspection, hard-won wisdom, dreamy turns, authentic emotionality and for the pleasure of encountering, here and there, those poems in which all his strengths including rigor and complexity come together. (Apr.) --Publishers Weekly, April 21, 2008"Envelope of Night is a highly welcome selection of Michael Burkard's work up to 1990; this poet - like Fanny Howe - writes work that over all the years seems whole, uinterrupted, deeply 'meant to be.' Burkard lets his poems walk all around the Sphinx and bring back what we need most: her questions." --Jean Valentine

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"This is a heart-felt and informative micro-history, and a eulogy and an elegy as well. Robinson is especially good on Aran's once great but now vanished kelp industry, and all that was involved....this is a fine addition to a fertile genre." --The Times (London)"A loving anatomy of the largest of the Aran Islands off the West Coast of Ireland, in which the point where nature and culture meet in the island is observed with great beauty and precision." -Colm Toibin"Tim Robinson's maps and books honor the landscapes they describe. As invitations, they irresistibly beckon the archeologist, botanist, geologist, bird-watcher, folklorist, student of the Irish language, or just plain tourist." -Chet Raymo."Stones of Aran: Pilgrimage and Labyrinth...is a necessity for all visitors and walkers."--Guardian"An exquisitely detailed portrait of a special landscape, this is a gem-like addition to the travel genre."-Publishers Weekly"Robinson takes the reader on a meditative walking tour of Aran...[he] seeks the essence of an increasingly distant Celtic past...like a visitor peering through the warped and colored glass of an ancient church window." -Los Angeles Times"A kind of travel writing The New Yorker sometimes sponsors: a virtuosity of gratuitous fact-gathering, a penitential recording of minutiae, a recitation of information as if it were prayer." -New York Times"Looked upon with a tactful, eager, strategic care that is as tender in its address as an admission of love...It is a wonderful achievement." -Seamus Deane, London Review of Books"The best book ever written by an Englishman about Ireland." -Independent"One of the most original, revelatory and exhilarating works of literature ever produced in Ireland." -Irish Times"Rapt, encyclopedic volumes...Robinson has done for the west of Ireland what Ruskin did for Venice, Proust for the voids and vasts of time." -Telegraph"Climate and location, flora and fauna, culture, myth and legend, people, and over it all, the veneer of language and place name...Tim Robinson achieves this ultimate map in Stones of Aran" -New Scientist"Wholly irresistible." -Observer"This is a marvelous book--quirky and endearing, universal in scope yet with an extraordinary sense of place and purpose." -Sydney Morning Herald"One of the most interesting and important books produced in Ireland in the twentieth century. In prose as layered and rich as the area he explores, Robinson deals with space in the way Proust deals with time." --Sean Dunne

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Ce qu¿on voit et ce qu¿on ne voit pas

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