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"In her important new book Poetics en Passant: Redefining the Relationship between Victorian and Modern Poetry
Jamison expertly reads Charles Baudelaire and Christina Rossetti to show that the categories 'Victorian' and 'Modern' make little to no chronological sense. A true comparatist, Jamison argues that the two contemporaries - one considered the first modern and the other considered an always-outdated Victorian poetess - both rebel against (and alter) literary convention through what she calls 'shock' and 'stealth,' or a poetics of transgression." - Victorian Studies

"Poetics en passant: Redefining the Relationship between Victorian and Modern Poetry is a lively, provocative book. Anne Jamison has unusual gifts as a close-reader, and her prose is as sharp as her analysis." - Wordsworth Circle

"Modernist Christina Rossetti - the devout Victorian spinster poetess? Victorian Charles Baudelaire - the transgressive French poète maudit? Yes and yes, you will finally agree, after taking in Anne Jamison's witty and imaginative revisionary analysis of nineteenth-century cross-Channel poetics. Poetics en passant not only offers an unexpectedly fresh view of these strange bedfellows, Rossetti and Baudelaire, but demands a rethinking of the relations between French and British poetry of the nineteenth century, on the one hand, and between nineteenth-century and Modernist poetry, on the other. From the poetics of stealth and the transgression of 'sneaking' to corpse poems to goblin metrics, this work makes good on the promise of the 'new formalism' to reinvigorate the scholarship of nineteenth-century poetry." - Ivan Kreilkamp, Department of English, Indiana University and co-editor, Victorian Studies

"From a 'Victorian' Baudelaire to a 'Modernist' Rossetti, from Baudelaire's 'prose combat' to the 'sneak attack' of Rossetti's poetry, from the French prosody of the prose poem to the fancy prosody of 'Goblin Metrics,' Poetics en passant offers much more than a passing pleasure: a shock of recognition. Jamison shows how to recognize a nineteenth-century poetics of transgression, and how to read cross-channel poetics in England and France more transgressively, more comparatively, more imaginatively. She reads through but also beyond Baudelaire and Rossetti, offering a brilliant analysis of poetic forms that perform the reversals and inversions of Victorian verse." - Yopie Prins, Associate Professor, English and Comparative Literature and Department Chair, Comparative Literature, University of Michigan

Redefining the Relationship between Victorian and Modern Poetry

Poetics en passant

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"Stories to Tell Your Students is a wonderful assortment of stories that will help not only your students increase their awareness and compassion for others, but yours will as well! Share this book with students, friends, family, and co-workers and see the power of stories at work." - Marshall Goldsmith, million-selling author of the New York Times bestsellers, MOJO and What Got You Here Won't Get You There

"This is the book that makes story telling a profound form of learning. This is the must OB book for Business Schools across the world." - Andrew Kakabadse and Nada Korac-Kakabadse, professors of management at Cranfield School of Management and University of Northampton and co-authors of Bilderberg People: Elite Power and Consensus in World Affairs, Philosophy of Management Research, Global Boards: One Desire: Many Realities, and others.

"What a marvelous idea! If EVERYTHING were taught in the form of stories, it would never be forgotten!" - Ian I Mitroff, adjunct professor UC Berkeley, professor Emeritus USC, and co-author ofDirty Rotten Strategies and A Spiritual Audit of Corporate America"In today s complex world, educators do a disservice when they convey the illusion of simplicity or control with theories that portray the workplace as linear, rational, and tidy. It s not. Human nature is complicated, and organizations are steeped in ambiguity and choice. The authors have created a powerful set of stories that offer a behind-the-scenes look at humanity in all its complexities and opportunities for us all to think, reflect, and grow." - Joan V. Gallos, professor of leadership, University of Missouri Curators Distinguished Teaching Professor, Henry W. Bloch School of Management University of Missouri-Kansas City and co-author of Business Leadership, Co-author, Organizational Leadership and Reframing Academic leadership

Transforming toward Organizational Growth

Stories to Tell Your Students

"This well-theorized, well-researched volume is a 'mapping project' that explores the ways in which aesthetics and politics intersect in the contemporary cinema of Latin America. Specifically, Podalsky (Ohio State) examines the important but understudied question of the emotional appeal and sensorial appeal of recent Latin American fiction and nonfiction films and the relation of those appeals to key sociopolitical issues and phenomena - for example, youth and their anxieties, the rise of neoliberal economic policies and consumerism, and the politics of memory in Southern Cone countries recently ruled by authoritarian military dictatorships. Specific topics examined include the influence of traditions of Mexican tabloid journalism on the artistry of Señorita extraviada (2001); the political-thriller genre as a way to stimulate reconsideration of a nation's recent dictatorial past; and the use of affect and emotion in The Jackal of Nahueltoro to criticize an unjust, uncaring Chilean society. Podalsky's analyses of individual films - e.g., Babel and Picado fino - are insightful, original, and frequently provocative. A useful, thorough scholarly apparatus is provided. The volume is carefully edited and produced... Summing Up: Recommended. Graduate students, researchers, faculty." - D. West, emeritus, University of Idaho, CHOICE

"In this rich and engaging work, Laura Podalsky explores the sensorial and emotional appeals of recent Latin American films and offers an alternate account of their contemporary social and political significance. Drawing on studies of feeling from a variety of disciplines, The Politics of Affect and Emotion in Contemporary Latin American Cinema also goes beyond notions of "national" or "Third" cinemas to engage in expansive and productive dialogue about filmmaking within global, transnational, and pan-regional trends. This dynamic, interdisciplinary study skillfully accounts for the range and complexity of Latin American films to show how they are neither resistant to nor complicit with contemporary media culture, but rather how they offer an emotionally-charged reflection on the legacies of Third Cinema and authoritarian political regimes, emergent consumer culture and youth culture, and the poetics and politics of memory today." - Patrice Petro, author of Aftershocks of the New: Feminism and Film History

"In this compelling study, Podalsky reveals the ways in which films from and about Latin America evoke and employ emotion so as to engage with contemporary socio-political discourse. By jettisoning dichotomies - global and national paradigms, popular and critical reception, high and mass culture - the author forges a new critical approach, one highly appropriate for this era of connectedness and interdependence." - Ann Marie Stock, author of On Location in Cuba: Street Filmmaking during Times of Transition and editor of Framing Latin American Cinema: Contemporary Critical Perspectives

Argentina, Brazil, Cuba, and Mexico

The Politics of Affect and Emotion in Contemporary Latin American Cinema

"Front Lines of Modernism takes a new look at old texts. Through topography, space, place and modernism, it provides original readings of important early twentieth-century works . . . [and] is an innovative study of literature, cartography and geography that demonstrates the power of modernism to both heal and redeem. Larabee's eloquently written, sophisticated study is a scholarly work of considerable magnitude." - Jane Mattisson, English Studies

"This comparative strategy produces a series of refreshing and innovative readings . . . Larabee's methodology succeeds largely due to his impressive grasp of battlefield conditions during World War I and British military history." - Claire Barber, Modern Fiction Studies

"A suggestive, well researched, highly readable book that offers an interesting insight on the development of British fiction through the intertwining of mapping, a new sense of experiencing and describing reality, and the trauma of the Great War" - Juan Herrero-Senés, Studies in the Novel

"Insightful and visionary . . . Larabee proves his claims multiple times over . . . this book condenses a valuable and fascinating intersection of the Great War and the modernist sense of space and place for scholars of history, literature, cultural studies, political science, and beyond" - Darcy Lewis, Joseph Conrad Today

"This is, undoubtedly, an important book. Larabee takes the reader easily through a subtle and sophisticated argument about maps, mapping and modernism, to present original readings of a range of British fiction and its engagement with the inarticulable experiences of the Great War. It is an elegant and very well-informed example of the 'spatial turn' in contemporary criticism, but it also marks an advance on much of the literary criticism written from this perspective in that it challenges the dominant critical concern with maps and power to focus instead on knowledge and the limits of representation. The ease and lucidity of the writing style will make the book readily intelligible to students and to the general, informed reader." - Professor Robert Hampson FEA, FRSA, Professor of Modern Literature, Royal Holloway, University of London, UK

"With the front lines of World War I as ground zero, Mark Larabee's study is an epistemological leap, of considerable magnitude and thought, through topography, space, and place." - Herbert Blau, Byron W. and Alice L. Lockwood Professor of the Humanities, University of Washington, USA

Remapping the Great War in British Fiction

Front Lines of Modernism

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