Direct Writing by Supernormal Means: A Record of Evidence for Spirit-action, in the Manner Before Called ''psychography''

Each chapter is thoughtfully written and thoroughly researched, with extensive author notes, endnotes, and a bibliography...Another thoroughly engrossing look at a pivotal year.&#8212;Kirkus Reviews (starred review)Aronson and Bartoletti (1968: Today&#8217;s Authors Explore a Year of Rebellion, Revolution, and Change) offer a timely deep dive into another turbulent and pivotal year of history: 1789...The conversational narrative styles will pull readers into this wide-ranging, thoroughly researched anthology, which recounts revolutions and revolutionary thinking big and small. Extensive author and source notes and a bibliography conclude this stirring read about themes that continue to shape urgent contemporary issues.&#8212;Publishers Weekly Online (starred review)An essay collection that will attract readers who want to learn about the history of personal freedoms or have a deep interest in the topic.&#8212;School Library JournalAs they did in their previous anthology, 1968: Today&#8217;s Authors Explore a Year of Rebellion, Revolution & Change, the editors take a pivotal year in world history and, through eleven essays (by authors including themselves, Joyce Hansen, Steven Sheinkin, and Summer Edward), explore global revolutionary themes...Each essay can be appreciated individually, but the overall picture, of societies reconciling competing ideas of science and faith or equality and oppression, becomes clearer throughout the book. Appended with author notes, documentation, and a complete bibliography of sources.&#8212;The Horn BookThis collection of eleven wide-ranging essays bridges American and world history course matter to demonstrate that episodes encountered as disparate curricular units emerged from a Zeitgeist of revolutionary thought.&#8212;Bulletin of the Center for Children's Books

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"The narrative is hypnotic, not only in its ability to reveal socio-political situations and extreme poverty, but in the way it interweaves the stories with legends and then offers candid statements referencing world events that make the truth of the message of poverty and corruption very real."&#160;&mdash;Maya Fleischman, Foreword Reviews "Delhi is not only the capital city of India but also, arguably, the space that best represents the bewildering confusion of a country at cross-purposes with its past and future, where thousands of different groups of people try every moment to negotiate survival, well-being, success, identity, relationships, and, most of all, shortcuts to wealth. Naturally, one individual's accomplishment is often another's ruination.&#160;The Walls of Delhi, a collection of three stories by Uday Prakash, captures this gestalt with scenarios that would be completely unreal if they weren't so plausible in the maelstrom that is modern urban India. In one story, a sweeper finds a stash of money hidden away by someone trying to evade taxes, using it to take his distinctly underage lover to Agra for a glimpse of the fabled Taj Mahal. In a second story, a Dalit&mdash;a member of the oppressed "castes" in India's repulsive but extant "caste system" of discrimination on the basis of a person's lineage&mdash;finds his identity stolen by an "upper caste" man who is trying to cash in on the benefits of affirmative action. And in the third, a family tries to cure a baby of its "illness" of extreme intelligence, represented by an ever-growing head.&#160;The fiction here is a fascinating projection of reality."&#160;&mdash;Words Without Borders"You finish each piece and it&rsquo;s like a slap in the face of realization at what&rsquo;s just occurred, and you can&rsquo;t even feel the full sting until the next day or the next week when your mind has had some time to fully digest everything that&rsquo;s happened.&#160;These stories have sticking power." &mdash;Corduroy Books"The stories in this collection should be read not only because they are coming from an extremely important voice in Hindi literature, but also because they are not just stories but a profound mapping of our times&rsquo; civilisational crisIs resulting from the blend of an awfully oppressive social order and brutal imperialism."&#160;&mdash;The New Indian Express"Three...stingingly comic tales [with an] appealing mix of social realism and pungent sarcasm. Uday Prakash uses a kind of wry documentary style, combining incisive humour with gentle pathos, interspersed with occasional poetic passages, creating a new kind of narrative style that has been well caught by the translator." &mdash;Frontline&#160;(India)"Uday Prakash writes of contemporary India with bleak and unblinking scrutiny irradiated by empathy and humanity. His mastery of metaphor and allegory and the power of his style invoke a timeless culture on the cusp of change." &mdash;Namita Gokhale, founder-director of The Jaipur Literature Festival and author of&#160;The Book of Shiva "I am not particularly fond of literature that thrives only on cons of any society.&#160;Yet, although the individual stories build up on the painful and neglected aspects of Indian society, the collection as a whole stands out uniquely having a distinct and original voice. The characters are complete and very much human so that their tales keep lingering in the reader's mind even after finishing the book.&#160;In all three stories, the author has succeeded in exploring the grave subjects in an intriguing style of narration and with complete command of a language that disturbs the reader." &mdash;The Book Outline"These are compelling stories, and with his often indirect approach&mdash;the narrator squeezing his perspective and person into the story, even if it seems to have little to do directly with it&mdash;Uday Prakash adds yet another interesting layer to the writing. The injustices described can be frustrating for the powerless reader, but the pieces certainly do impress."&#160;&mdash;The Complete Review

Direct Writing by Supernormal Means: A Record of Evidence for Spirit-action, in the Manner Before Called ''psychography''

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