A Sip of Revenge (Tea Room Cozy Mysteries, #1)

Storia Documentata Di Venezia, Volume 10

&ldquo;All women will recognize something of themselves in one of the Sunshine sisters. Jane Green&rsquo;s best yet. I raced through this.&rdquo;&mdash;Jojo Moyes, New York Times bestselling author of Me Before You and The Horse Dancer &#160; &ldquo;A plum of a novel: juicy, ripe and bursting with sticky situations. I savored every page.&rdquo;&mdash;Elin Hilderbrand, New York Times bestselling author of The Identicals &#160; &ldquo;A warm, satisfying tale about the love that binds even the most dysfunctional of families.&rdquo;&mdash;People &#160; &ldquo;With clear prose and a straightforward plot, Green spins a breezy story.&rdquo;&mdash;The Washington Post &#160; &ldquo;Green...presents readers with another warm and winning family tale.&rdquo;&mdash;Booklist, review of the day &#160; &ldquo;No one understands complicated families like Jane Green. In The Sunshine Sisters, she uses her trademark warmth and wit to bring us a deeply engaging story of parents, siblings, and lovers alike. She is the undisputed queen of the beach read.&rdquo;&mdash;Emma Straub, New York Times bestselling author of Modern Lovers &#160; &ldquo;An absolutely fabulous read&hellip;A superbly entertaining story about sisters that will make you laugh and cry, of course, but also ponder a dead-serious issue of what to do about mom. It&rsquo;s perfect for book clubs. I adored it!&rdquo;&mdash;Dorothea Benton Frank, New York Times bestselling author of Same Beach, Next Year &#160; &ldquo;The Sunshine Sisters glitters&hellip;Intuitive and wise, this is Jane Green at her masterful best. You will love this story and share with your sister or your best friend, or both. I know I did.&rdquo;&mdash;Adriana Trigiani, New York Times bestselling author of Kiss Carlo &#160; &ldquo;Whether you have a sister or not, The Sunshine Sisters is my definition of the perfect beach read.&rdquo;&mdash;Lauren Weisberger, New York Times bestselling author of The Devil Wears Prada &#160; &ldquo;Shocking and dramatic, but always heartfelt and genuine in its multilayered portrayal of betrayal, redemption, and healing. Jane Green&rsquo;s writing is impossible to resist.&rdquo;&mdash;Susan Wiggs, New York Times bestselling author of Map of the Heart

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&ldquo;Author James Swallow does a fantastic job of crafting a world that takes readers into Facility 451 and into the new age of human augmentation...a fantastic read&rdquo; -&#160;Bio Gamer Girl&ldquo;I would suggest it to anyone who is a fan of the series.&rdquo; -&#160;Gamers Sphere&ldquo; I thoroughly enjoyed reading this techno-thriller&rdquo; -&#160;Retrenders

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Finalist for the California Book Award&nbsp; An NPR Best Book of 2020&nbsp; A Millions Most Anticipated Title of 2020&nbsp; A Rumpus Best Book for Asian and Pacific Islander American Heritage Month&nbsp;&nbsp; &ldquo;If &#39;Things Fall Apart&#39; hadn&rsquo;t already been taken, it would be an apt title for Pandya&rsquo;s novel, which is as witty as it is woeful.&rdquo;&nbsp; &mdash;Elisabeth Egan, New York Times Book Review&nbsp;&nbsp; "In Sameer Pandya&rsquo;s heart-pounding novel, every word Raj Bhatt says, every action he takes, is consequential...This is a nail-biting read because Raj&rsquo;s fate&mdash;a comfortable life unraveled by misinterpretations and words taken out of context&mdash;is all too familiar in today&rsquo;s&#160;world."&nbsp; &mdash;NPR.org&nbsp;&nbsp; "I binged-read Members Only and it did not disappoint...Smart, funny, topical, and it does tennis right."&nbsp; &mdash;Jon Wertheim, Sports Illustrated&#39;s Beyond the Baseline&nbsp;&nbsp; "The narrative ability that Pandya showed with his short story collection, The Blind Writer...is on display in Members Only. Pandya skillfully uses elements of the immigrant experience, mid-life crisis, and university life to weave a fictional spell. While the novel confronts serious themes such as racism, academic serfdom, and the dark side of viral social media, Pandya balances that weight with humor and irony...Good fiction is seductive. If the writer can seduce the reader to empathize with a character, to feel what the character feels, to care about the character, he or she has succeeded. Raj Bhatt is easy to like and I became caught up in his story, experiencing his doubts and fears as well as his joy."&nbsp; &mdash;Santa Barbara Independent&nbsp;&nbsp; "Told with a deft touch, Members Only is fast-paced, enjoyable and often quite funny. But don&rsquo;t confuse wit with lightness. With tennis as its launching pad and moral center, this book offers a thoughtful look at contemporary American manners and mores, most pointedly in how we treat and discuss such sensitive topics as race and social class...And so, Members Only, a lively tale that conveys a deep set of questions about how tennis fits into a bigger contemporary American picture, addressing such complicated topics as aspiration, diversity, mobility and community. This book will make you laugh, but it will also make you think."&nbsp; &mdash;Tennis.com&nbsp;&nbsp; &ldquo;An intense, funny, and absolutely necessary novel about our current times. Accomplished storyteller Pandya has given all of us teachers a compulsive read for the days, the weeks, when we feel unmoored and even a slightly bit crazy.&rdquo;&nbsp; &mdash;Weike Wang, author of Chemistry&nbsp;&nbsp; &ldquo;Is&#160;extremely enjoyable anxiety a thing? Because that&rsquo;s how I felt as I sped through Professor Raj&#160;Bhatt&rsquo;s&#160;very bad week. A vital, tightly-written dive into our current swirl of confusion over privilege and power.&rdquo;&#160;&nbsp; &mdash;Jade Chang, author of The Wangs vs. the World&nbsp;&nbsp; "Members Only perfectly portrays how our careless words and casual comments have unintended ripple effects that couldn&#39;t possibly be predicted. This is a riveting story of misunderstanding and misrepresentation."&nbsp; &mdash;Laurie Gelman, author of Class Mom and You&#39;ve Been Volunteered&nbsp;&nbsp; "A timely story about prejudice and white privilege, set mainly at a private tennis club and a university in California...In a multi-racial society, race relations are themselves multi-lateral. Pandya bankshots questions that Americans face and ignore every day. Who has the right

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"A book filled with many threads to pull, nuggets to digest and elaborate. A challenging amplification of Freudian concepts and their relevance for illuminating the work of the unconscious in film, literature, culture and clinic. Film is the principal focus but its tendrils lead in many directions. A rich compendium of suggestions to ponder and roads to explore."-Michael Eigen, Ph.D., author of The Sensitive Self, Flames From the Unconscious and Under the Totem: In Search of a Path
"The most pressing challenge confronting the psychoanalytic approach to film is thinking through the relationship between the dream and the film. Though this relationship has been in the background of much psychoanalytic film theory, it has yet to genuinely come to the foreground. That changes with Trevor Pederson’s remarkable new book Psychoanalysis and Hidden Narrative in Film. It provides an entirely original an idiosyncratic approach to film interpretation that manages to stay close to Freud while at the same time shedding new light on how psychoanalytic interpretation works. By paying attention to what doesn’t fit in the film, Pederson shows, we can set out on the path of unraveling the mysteries contained in even the most commonplace films."-Todd McGowan,Department of English,University of Vermont, USA
"The book’s title will not convey to the prospective reader the richness and breadth contained within.With insight and scholarship, Trevor Pederson shows the centrality of the super ego, the ego ideal, and the double to psychoanalytic and human understanding. There are many clinical vignettes included that illustrate and greatly illuminate the theoretical concepts. He finds deep dimensions in film beyond what most viewers and critics have been able to perceive."-Ken Fuchsman, President, International Psychohistorical Association
"Trevor Pederson provides the authoritative analysis of the trope of the double in film, and its history in literature and psychoanalysis; andoffers us a new approach for extracting latent narratives in popular films and novels. His analysis of the 80s cult classic The Lost Boys, considered a minor film, illustrates a subversive approach to film criticism that can only be successfully executed by someone immersed in as wide a range of disciplines as he is. Pederson’s nuanced critique is complimented by provocative and illustrative material from psychoanalytic clinical practice. The book offers a thorough illustration of symptom-reading that will be indispensable to anyone interested not only in film studies, gender studies, and cultural theory, but also in psychoanalysis proper."-Christopher Christian, PhD., Editor-in Chief, Psychoanalytic Psychology;Dean, IPTAR

"Trevor C. Pederson offers us a highly scholarly and creative work. Reading the Symptom will speak to anyone who is interested in the depth structure that reinforces human psychology Pederson illuminates on Freud’s model of mind and offers a disciplined and comprehensive methodology for film criticism that moves beyond the superficial approaches that are so often utilized and that give psychoanalysis a bad reputation among film critics."-Galit Atlas, Ph.D., Faculty,New York University Postdoctoral Program in Psychotherapy and Psychoanalysis;Four-Year Adult and National Training Programs, National Institute for the Psychotherapies

Reading the Symptom

Psychoanalysis and Hidden Narrative in Film

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Crossing Life Lines

A Sip of Revenge (Tea Room Cozy Mysteries, #1)

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