Third Time, Not A Charm

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This book proceeds from basic theory to design studies of concert and multiple
purpose halls. The author introduces a remarkable seat selection system
for analysis of new and existing halls and proposes a diagnostic system
for testing physical properties and calculating psychological attributes
at any seat after a hall is built. The book also presents a theory of subjective
preferences, vbased on a model of the auitory cognitive system in the brain.
Readers can thus follow the temporal and spatial values that may be associated
with the left and right cerebral hemispheres in listening to music and
speech, respectively, in a room. From results of calculating subjective
preference at each seat, for example, architects, musicians, and acousticical
engineers concerned with the design and use of concert and multi-use halls
may determine the best location to perform a certain type of music on the
stage, as well as the best seats from which to listen. These results will
also allow designers to optimize the height of the canopy above the stage,
and the positions of other reflectors to fuse performer and hall sound.
At the end of the book such a design theory is described, incorporating
temporal and spatial values that may be generalized in physical environmental
design. In writing this book, the author has paid special attention to
stimulating the left and the right hemispheres of the brain with both text
and illustrations. Written at the level of advanced undergraduate students,
this book should be of interest not only to acoustical engineers and architects,
but also to musicians, acoustical consultants, audio engineers, and sound
coordinators of concert halls and theaters, as well as researchers who
are interested in fusing science and art.

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Third Time, Not A Charm

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