Cas des textes d¿application issus de la loi d¿orientation encadrant les examens et concours

Réformes du système éducatif gabonais et ses obstacles

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'the book's great value is that it is an uncompromising journey through the harsh world of serious mental disturbance. It is not an easy read; and do not embark on this journey unless you want to see how these four men can resonate with your own core of tears. But it is not just a descent into gloom. Jackson's significant conclusion, and achievement, as in his previous books, is that psychotic states, despite their apparent incomprehensibility, are in fact comprehensible. We cannot be shown this too often.' -Bob Hinshelwood, Emeritus Professor, Centre for Psychoanalytic Studies, University of Essex
‘Is there a link between creativity and psychosis or is it a middle class delusion that one’s son or daughter has some cross to bear for being sensitive and intelligent? Do people become mentally ill spontaneously or are they upset about something? Should we treat mental illness medicinally or, with the patient, try to understand it? Creativity and Psychosis provides many clues and is a great starting point if you are interested in learning about psychoanalytic approaches to psychosis from scratch.’ – Dr Clive Hathaway Travis, patron of Talking 2 Minds, UKand author of Looking for Prince Charles’s Dog (Wymer Publishing, 2013), from the foreword.
‘The beauty of this book is that it is written in a style accessible to the lay public as well as to psychoanalytically informed professionals. Murray Jackson in collaboration with Jeanne Magagna investigates how unconscious mental processes underlying both creative and psychotic phenomena can lead to a lessened capacity to distinguish between the two. He traces the development of psychotic phenomena in the external and internal complex "histories" of well-known artists, and he extracts from these explorations of the minds of exceptional lives a world of wisdom that is useful not only for professionals but also for those interested in a deeper understanding of the human mind when it goes astray.’ – Bent Rosenbaum, Department of Psychology, University of Copenhagen, and Leading Senior Researcher at the Clinic of Psychotherapy, Psychiatric Centre Copenhagen, Denmark.
‘Van Gogh, Njinsky, Nash and Saramago. Murray Jackson, the late distinguished psychoanalyst, investigates their formative lives in depth giving much needed insights into the roots of adult creativity and of psychosis. A book for a very wide readership.’ - Brian Martindale, Chair of ISPS.
‘This book is a very serious contribution to this area of study and will be of lasting interest to a broad readership - obviously all working in the field of mental health will find themselves drawn into thinking deeply about this field and will see the relevance broadly both within their work and in terms of the theoretical/conceptual issues it raises – they will also gain a great deal from the discussion of theoretical and technical issues as regards psychotherapeutic treatment of this kind of disturbance, in the latter part of the book. But the work presented here will be of much broader interest - that is to anyone who can allow themselves to be fascinated by serious psychological disturbance and who has a serious interest in understanding exceptional creativity.’ - Dr. David Bell, Former President of the British Psychoanalytic Society, Consultant Psychiatrist at the Tavistock and Portman NHS Foundation, Visiting Professoral Fellow, Birkbeck College London.
"All of the four histories of these creative men are placed in personal and social context. The psychoanalytic perspective provides meaning, and it enables a depth of understanding of these men's lives. [...[ This book is successful in following [Freud's] tradition of lending a deeper understanding to the lives and creative of the four men who are its subject matter. Jackson's style is thorough and engaging. He is dedicated to making sense of his subjects' lives. [...] What is refreshing about this book, though, is that it does try to look beyond the notion of psychosis as a brain disorder. It still attempts to utilize psychoanalytic notions [...] This book reminds us of the value of a psychosocial understanding of mental illness and the importance of reflective practice in facilitating recovery from psychosis. [...] [As] this book demonstrates, a psychodynamic perspective can enliven and support creativity. Murray Jackson should be remembered for his application of psychoanalytic concepts to the treatment and understanding of psychosis. Clinicians need to recognize the deep anxieties and conflicts of patients and the therapeutic importance of understanding. This book reminds us that making sense of very disturbed behavior should still be central to modern psychiatry. Its clarity makes it of interest to anyone interest in the relationship between psychosis and creativity." -Duncan Double, Norfolk and Suffolk NHS Foundation Trust and University of East Anglia, UK, PsycCRITIQUES 2015

The work of Murray Jackson

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With its every detail&#8212;its masterful illustrations, its landscape format, and the elegant text that offers readers a way to see the promise of new life from what has been destroyed&#8212;this book triumphs.&#8212;Kirkus Reviews (starred review)With riveting language and moody art, this true story will evoke awe and reverence of place for even very young readers.&#8212;Publishers Weekly (starred review)Pinfold&#8217;s mixed-media illustrations make the abstract concrete in carefully designed spreads that vary between small, tidily arrayed thumbnails and three-quarter and full spreads...An afterword explains that this is based on the real-life experience of folk musician Mike Tickell and his daughter, and it might be effective to draw on that text as explanation before sharing the story with youngsters to make the most of the story&#8217;s emotional impact.&#8212;Bulletin of the Center for Children's BooksPinfold's impressive artwork, sometimes full page, but often blocks of scenes covering spreads, serves as sturdy counterpoint to Almond's lyrical text. Particularly arresting are the 10 dark squares and rectangles that show the water covering all that's been before. Yet the promise of what comes next appears with the turn of a page, as people enjoy all the lake and its shore have to offer. A powerful piece of remembrance.&#8212;BooklistThis hints at a ghostly tale that could make nice material for oral storytelling and shared reading with some older children. It might also be fun to use in music, natural science, and local history classes.&#8212;School Library JournalPinfold tackles the tricky problem of how to portray music visually by painting elongated, wispy white figures whirling around the dark houses and in the night sky. This is a story that respects the past and its traditions without falling into nostalgia.&#8212;The Horn BookPerhaps the most extraordinarily lovely and melancholy picture book published this year, The Dam will linger in readers&#8217; minds. But what sticks with you after the book is closed is not desolation and defeat; it&#8217;s blue water and open skies, exuberant children, dancing stars and, of course, music.&#8212;BookPageThis is a beautifully written story about loss, hope, and folk music...These illustrations are very powerful and give the reader a great sense of hope and sadness. Between the words and illustrations, this story would be a wonderful addition to any classroom. Especially useful for readers to experience the importance of illustrations and what they can add to a story.&#8212;School Library ConnectionBefore the dam is finished and the valley flooded, a father and daughter visit one last time to fill the doomed homes with music in this haunting book featuring David Almond's trademark narrative magic and dramatic sepia illustrations by Levi Pinfold.&#8212;Buffalo News

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Réformes du système éducatif gabonais et ses obstacles

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