O Bandido

"The Performative Ground of Religion and Theatre engages with a number of debates of interest to devotees of religion and theatre. While it feels like an introductory course, the book is not basic. This slim and sophisticated volume presumes at least a passing familiarity with many of its references, but provides enough orientation to encourage the excited reader to go and learn more [...] Mason neither risks a philosophical theologian’s conclusions nor identifies the performative ground of religion and theatre as a symbol of “that which we call god.” But, as for the theatre critic, the feeling of being left wanting more is both a desire to restage the play and a compliment."- Charles A. Gillespie, University of Virginia, Reading Religion

The Performative Ground of Religion and Theatre

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"Overall, this book is an important contribution to the understanding of the Second Bank of the United States and an excellent point of reference for scholars of early American economic and political history." - Claire Brennecke, Federal Deposit Insurance Corporation.

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"Jungian Film Studies has been energetically pushing open the doors of the academy for years. Now, with this volume, full entry has been achieved. The book is reliable, fascinating and beautifully put together. To Lecturers in Film and Related Subjects: Abandon whatever prejudices you have left and put this one on your assigned reading lists! To Students: If your lecturers do not assign this book as essential reading, make a noise about it because you are missing out on where the action is! The Jungians are not only coming, they are here." --Professor Andrew Samuels, Department of Psychosocial and Psychoanalytic Studies, University of Essex

"Hockley and his colleagues have essentially resisted the ‘confirmation bias’ of much contemporary film theory in this innovative and insightful collection. Enjoying a rich balance between determining embodied meanings and insinuating wider cultural affect in film, the essays are as valuable for the clinician as the theorist. Repositioning cinema as a font of psychological and emotional questions beyond the imprimatur of Freudian and Lacanian readings, this international collection speaks to the theory, therapy and thought the image has always promised to offer, and in many of these analyses, is here so usefully revealed." --Professor Paul Wells, Animation Academy, Loughborough University.

O Bandido

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