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&ldquo;In this&#160;heart-tugging follow-up [to&#160;The Paris Wife], we meet Martha Gellhorn, a correspondent during the Spanish Civil War, who was&#160;the third&mdash;and&#160;perhaps most intriguing&mdash;of [Hemingway's] wives. The title says it all.&rdquo;&mdash;People&ldquo;Propulsive&#160;. . .&#160;highly engaging&#160;. . .&#160;McLain does an excellent job portraying a woman with dreams who isn&rsquo;t afraid to make them real, showing [Gellhorn&rsquo;s] bravery in what was very much a man&rsquo;s world.&#160;Her work around the world . . . is presented in&#160;meticulous, hair-raising passages. . . .&#160;The book is fueled by her questing spirit, which asks, Why must a woman decide between being a war correspondent and a wife in her husband&rsquo;s bed?&rdquo;&mdash;The New York Times Book Review&ldquo;[The] scenes of professional rivalry and seesawing imbalance are some of McLain&rsquo;s best. . . .&#160;McLain&rsquo;s legions of fans will relish the inspiration of a gutsy woman who discovers she doesn&rsquo;t need a man at her side, after all.&rdquo;&mdash;The Boston Globe&ldquo;McLain successfully turns Martha&rsquo;s story into a romantic quest and Martha into a romantic heroine&mdash;though not a traditional one.&rdquo;&mdash;The Washington Post&ldquo;Romance, infidelity, war&mdash;Paula McLain&rsquo;s powerhouse novel has it all.&rdquo;&mdash;Glamour&ldquo;If you loved McLain&rsquo;s 2011 blockbuster&#160;The Paris Wife, you&rsquo;re sure to adore her new novel, which is just as good, if not better.&rdquo;&mdash;AARP&ldquo;McLain&rsquo;s strengths as a novelist are formidable, especially her ability to evoke a strong sense of time and place. . . .&#160;This&#160;novel is important not only as historical fiction&#160;but also as a reminder of the challenges that faced career-minded women such as Gellhorn in the mid-twentieth century. . . . McLain is also a master at ending chapters that make you want to turn the page and see what happens next.&rdquo;&mdash;Houston Chronicle&ldquo;If love and war are two of the greatest themes in literature, they&rsquo;re both here. . . .&#160;McLain&rsquo;s dialogue, is, as Hem might say, good and true.&#160;She captures the passion Gellhorn and Hemingway feel for each other, and the slow erosion of trust on both sides.&rdquo;&mdash;USA Today&ldquo;McLain takes&#160;another successful trip into historical fiction. . . .&#160;Readers will have to remind themselves that this is fiction as&#160;McLain draws a finely detailed portrait of the chaos and destruction spreading across Spain.&rdquo;&mdash;St. Louis Post-Dispatch &ldquo;Engrossing&#160;. . .&#160;[Love and Ruin] spotlights a woman ahead of her time&mdash;a fearless reporter who covered the major conflicts of the twentieth&#160;century.&rdquo;&mdash;Real Simple &ldquo;McLain&rsquo;s ability to base a work of fiction on real people is nothing short of superb.&rdquo;&mdash;BookPage&ldquo;Wonderfully evocative . . . This is historical fiction at its best, and today&rsquo;s female readers will be encouraged by Martha, who refuses to be silenced or limited in a time that was harshly repressive for women.&rdquo;&mdash;Library Journal (starred review)

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