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&ldquo;If I had to boil it down to a high concept, I&rsquo;d probably say that  GTO is about believing in yourself enough to have a good time in life.  Fujisawa does a pretty                    good job balancing the more saccharine elements of the  series with the knock-down, drag-out, somewhat perverted jokes. It&rsquo;s  clearly a comedy, but when it takes                    a turn into drama, it doesn&rsquo;t feel unnatural. 14 Days in Shonan looks like one of those series that can be brutally funny when it wants to be&hellip;I&rsquo;ve                    got high hopes.&rdquo; &mdash;Comics Alliance&ldquo;Cracking open Vertical Inc.&rsquo;s release of GTO: 14 Days in Shonan brought back a lot of manga memories. A lot of the comedy comes not  from what&rsquo;s going on                    around or happening to Onizuka, but how he reacts to  it all&hellip; Established fans will definitely get more out of it, but there&rsquo;s  enough fun here to &lsquo;open the                    doors of all hearts,&rsquo; as Onizuka himself would put  it.&rdquo; &mdash;Otaku USA Magazine&ldquo;While I&rsquo;ve largely fallen out of manga for a number of  reasons, there are certain things that will always draw me back.  Discovering that the man behind                    Great Teacher Onizuka decided to do another  series focusing on the character is definitely one of them&hellip; The opening  volume makes things well connected to the                    original and adjusts to the new situation with ease in  a way that doesn&rsquo;t detract or impact what has come before&hellip; This is a  ride I am completely enthused about.&rdquo; &mdash;Fandom Post&ldquo;I thought I was done with Great Teacher Onizuka. All throughout college, I plowed my way through the series&hellip; All was well and good, until just the other day,                    when Vertical dropped the first volume of Great Teacher Onizuka: 14 Days in Shonan in my mailbox&hellip; Suffice to say, the first chapter grabbed me almost                    immediately. It was the same Great Teacher Onizuka humor I remember, and most importantly, I reacted the same to it as I had when I was stuck in my college                    dorm on those long Syracuse winter nights.&rdquo; &mdash;Japanator&ldquo;As a character explicitly points out, it&rsquo;s painfully evident  that parental selfishness has given [these teens] severe reason to  distrust adults and that they&rsquo;re                    not about to give Onizuka a second chance if he lets  them down. As a result, the manga is dealing with the same Onizuka, but  watching him walk a much narrower tight rope&hellip;                    It&rsquo;s intriguing to consider how the manga might react  to the new twist in its careful balance act and how 14 Days might consequently develop in subtly different                    ways than the original.&rdquo; &mdash;Ain&rsquo;t it Cool News&ldquo;I have never read a GTO comic before this, so the  prospect of reading what amounts to a spin-off was a bit intimidating.  Luckily the premise is pretty simple&hellip;                    I liken this book to Columbo. Anyone who has ever watched a Columbo episode knows that Columbo is going to solve the case. The real  pleasure comes from seeing                    how the bumbling detective puts it all together&hellip; The  figures are strong and confident, and the backgrounds are stunning.&rdquo; &mdash;Stumptown Trade Review&ldquo;If one were to travel into the universe of GTO: 14 Days in Shonan and look up Badass on Wikipedia, I would find the article deficient if a picture of Eikichi                    Onizuka didn&rsquo;t appear as the illustration of choice on that page&hellip; I walked into GTO:14DiS with admittedly hazy memories of the original story&mdash;no plot                    specifics, just a general understanding of the overall  storyline. It took only a few pages to get everything straight.&rdquo; &mdash;Genji Press&ldquo;I loved it&hellip; The most surprising thing about 14 Days in Shonan is its ability to address serious social problems without devolving  into an Afterschool Special.                    The hand-to-hand combat and barrage of condom jokes  helps mitigate against didacticism, to be sure, but Fujisawa is skillful  enough to make the students&rsquo; personal                    troubles a meaningful&mdash;and sometimes moving&mdash;part of the  story, inspiring Onizuka to new heights of creativity (and silliness)  in his efforts to reach them.                    Highly recommended.&rdquo; &mdash;The Manga Critic

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The Story of a Thousand

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