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&ldquo;Beautiful. . . . Mysterious . . . you can&rsquo;t turn the pages fast enough.&rdquo; &mdash;The New York Times Book Review&ldquo;Heart-rending. . . . Both invokes and channels&#160;Great Expectations&mdash;a novel, like this one, about letting go of myths we&rsquo;ll never inhabit, so that we might craft new stories that free us to live.&rdquo; &mdash;Milwaukee Journal Sentinel&ldquo;A subtle masterpiece.&rdquo;&#160;&mdash;NPR&ldquo;Deeply moving. . . . Mengestu writes . . . with poignancy and psychological precision. . . . With great lyricism and ferocity.&rdquo;&#160;&mdash;The New York Times&#160;&ldquo;Taut and swift . . . with an abiding mystery driving it forward&hellip;One reads to the end . . . with a kind of desperate intensity. . . . Extraordinary.&rdquo;&#160;&mdash;The Boston Globe&ldquo;Disarmingly tender. . . . Finely calibrated.&rdquo; &mdash;The Wall Street Journal&ldquo;Mengestu&rsquo;s voice is a finely tuned instrument. . . . Its words may be simple, but&#160;All Our Namesspeaks volumes.&rdquo; &mdash;San Francisco Chronicle&#160;&ldquo;Delicately drawn. . . . The emotional power of&#160;All Our Names&#160;seeps through lines that seem placid on the surface. . . . This is not an immigrant story we already know.&rdquo; &mdash;The Washington Post&ldquo;Beautifully written. . . . A powerful new addition to a growing list of accomplishments for Mengestu.&rdquo; &mdash;Chicago Tribune&ldquo;Powerful.&rdquo; &mdash;Christian Science Monitor &ldquo;Magnificent. . . . Mengestu seamlessly weaves together a disturbing story of parallel lives and plots.&rdquo; &mdash;CounterPunch &ldquo;Elegiac. . . . A mourning for what has been lost not so much by any individual, but by whole countries and even a continent, as power corrupts absolutely and leaves its citizens with two choices: Endure or escape.&rdquo; &mdash;The Seattle Times &ldquo;[Mengestu] is rapidly becoming a writer on the global stage.&rdquo; &mdash;The Guardian (UK) &ldquo;Mengestu is the best writer of the African diaspora we have, and this book expands upon and updates his craft.&rdquo; &mdash;The New York Observer &ldquo;The story of Helen and the two Isaacs, and the ways their longings mesh or don&rsquo;t, has a subtle power that gets under the surface of events to explore the complexities of human relationships.&rdquo; &mdash;The Columbus Dispatch &ldquo;Mengestu grounds big ideas about an uprising in Africa in simple emotions. The story&rsquo;s narrator, a student turned revolutionary, gets swept up in love as easily as he does in politics.&rdquo; &mdash;Time Out New York (critics&rsquo; pick) &ldquo;The enigmatic Isaac radiates a sense of quiet purpose that makes him both substantial and immensely appealing. Mengestu&rsquo;s assertion of the claims of the self against the ideologies of tribe, nation or home is all the more powerful for being expressed through paradox.&rdquo; &mdash;London Review of Books &ldquo;Subtly powerful. . . . We need globe-straddlers like Mengestu to show us that love, like hate, respects no borders.&rdquo; &mdash;Boris Kachka, author of Hothouse &ldquo;Extraordinary. . . . A fierce and tender examination of identity, love, disillusionment, friendship and sacrifice.&rdquo; &mdash;The National Post (Toronto) &#160;&ldquo;Writing with the kind of effortless ease suggestive of much painstaking struggle, Mengestu locates the novel&rsquo;s horror not in war per se, but in those seemingly born to its bidding.&rdquo; &mdash;Toronto Star &ldquo;Mengestu portrays the intersection of cultures experienced by the immigrant with unsettling perception. . . . [He] evokes contrasting landscapes but focuses on his characters . . . who are all caught in a cycle of connection and disruption, engagement and abandonment, hope and disillusion.&rdquo; &mdash;Publishers Weekly (starred review, &ldquo;Pick of the Week&rdquo;)

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American Entomology, Or, Descriptions of the Insects of North America. Volume 2 of 3

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