An Introduction

Clinical Trials

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&ldquo;Wonderful . . . It would be hard to imagine a sequel more faithful to its work of origin than this one. . . . Salander, though, emerges as the most dramatic, charismatic and effective investigator of them all: weak in social skills but unmatched in speaking blunt truth to corrupt power.&rdquo; &mdash;Tom Nolan, The Wall Street Journal &#160; &ldquo;Engrossing . . . arresting . . . imbued with a grit and gumption that would make Larsson proud.&rdquo; &mdash;Patrick Ryan, USA Today&ldquo;The enduring draw at the center of the Millennium series is that image of a strange and solitary young woman trying to even the score with all manner of bullies by dint of her brains and, when called for, some martial arts moves.&rdquo; &mdash;Maureen Corrigan, The&#160;Washington Post &#160; &ldquo;Like The Girl in the Spider&rsquo;s Web, this book is a worthy successor to Larsson&rsquo;s trilogy. But, The Girl Who Takes an Eye also feels like a tipping point, in which Lagercrantz begins to march the saga in a direction all his own.&rdquo; &mdash;Ed Swedlund, Paste magazine &#160; &ldquo;Somewhere, beyond the grave in the Great Hereafter, Stieg Larsson must be smiling. . . . Swedish journalist and author David Lagercrantz has produced a multilayered and even better thriller this time around in his second outing continuing Larsson&rsquo;s Millennium series, crafting an intricate web of intrigue. . . . Lagercrantz is a master.&rdquo; &mdash;Jean Westmoore, The Buffalo News &#160; &ldquo;Hacker extraordinaire Lisbeth Salander and crusading journalist Mikael Blomkvist do social good as the thrills accelerate in The Girl Who Takes an Eye for an Eye. They&rsquo;re a winning couple.&rdquo; &mdash;Carlo Wolff, Pittsburgh Post-Gazette&#160; &ldquo;Lagercrantz&rsquo;s excellent second contribution to Stieg Larsson&rsquo;s Millennium series [is a] complicated, fascinating mystery.&rdquo; &mdash;Publisher&rsquo;s Weekly (starred review) &#160; &ldquo;Always satisfying . . . Lisbeth, as always, serves as an avenging angel who herself isn&rsquo;t the nicest of people.&rdquo; &mdash;Kirkus Reviews &#160; &ldquo;The legacy of Lisbeth Salander lives on. . . . Lagercrantz succeeds in carefully staying true to the framework created by the late Stieg Larsson. . . . In this new world where everything is suspect, including proclaimed facts, it is the dragons that protect and avenge the downtrodden.&rdquo; &mdash;Michael Ruzicka, Booklist (starred review) &#160;

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Clinical Trials

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