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&ldquo;Her writing is so wonderfully clear, so intimate...she leaves you wanting to know her thoughts of every aspect of the garden.&rdquo; &mdash;Jamaica Kincaid &#160; &ldquo;Onward and Upward in the Garden is quite a bit more than a book about flowers. It is itself a bouquet, the final blooming of an extraordinary sensibility.&rdquo; &mdash;The New York Times&ldquo;You don&rsquo;t have to be a gardener to love this collection of essays.  White observes that a talent for the soil and a taste for writing and  editorializing often go together, and she proves it&mdash;creating her own  distinctive voice in the process.&rdquo; &mdash;Newsweek &#160; &ldquo;[This collection] can be savored by the reader whose closest acquaintance with nature is the corner florist. It is a heady compost of observation, taste, wit, and scholarship.&rdquo; &mdash;Time&#160;  &ldquo;A special joy for persons of cultivation, be they connoisseurs of grandiflora or mere backyard tomato growers.&rdquo; &mdash;Chicago Sun-Times&ldquo;A charming, idiosyncratic, opinionated, informative and, at times, humorous paean to the amateur pursuit of horticulture&hellip;.it is the controlled discursiveness of the writing that keeps us reading, even if we don&rsquo;t necessarily care about varieties of roses or the care and breeding of African violets. White reels us in with her enthusiasm and her Yankee directness. When she takes a narrative side trip through the history of the lawn mower or contemplates keeping the -virus-ridden bulbs of 'broken tulips' segregated in her flowerbeds, we find ourselves eagerly reading on&mdash;whether we have a lawn ourselves or give two figs about tulips&hellip;.Katharine White was indeed a delightfully gifted writer.&rdquo; &mdash;Robert Weibezahl, BookPage&ldquo;White&rsquo;s critiques were quirky and precise, reflecting not only her preferences as a gardener, but her contention that these catalogs formed a literary genre of their own, their authors as singular as Hemingway or Faulkner. Looking back a half-century later, one finds White&rsquo;s views alternately quaint, witty, sage &ndash; and surprisingly current&hellip;Notable throughout was her breadth of research, boundless curiosity and her candor. Yet the charm of these essays and their staying power derive from White herself.&rdquo; &mdash;Joan Silverman, Portland Press Herald

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Female characters in Ngugi wa Thiong'o's "A Grain of Wheat" and Tsitsi Dangarembga`s "Nervous Conditions"

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