Die Erste - Spaltung (Lise Meitner, Physikerin)

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&#8220;A magical writer&#8212;one of the greatest of the twentieth century.&#8221; &#8212;Margaret Atwood&#8220;The father of African literature in the English language and undoubtedly one of the most important writers of the second half of the 20th century.&#8221; &#8212;Caryl Phillips, The Observer&#8220;Chinua Achebe is gloriously gifted with the magic of an ebullient, generous, great talent.&#8221; &#8212;Nadine Gordimer

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"Throughout American history, most white folk have refused to acknowledge the depth, breadth, and power of whiteness. But not Chris Driscoll. In this provocative and searching book, he looks into the heart of whiteness and finds what so many women and men of color have seen before: pain, death, and deception. Part history, part philosophy, and part theology, White Lies contains loads of truth."
Edward Blum, San Diego State University, USA
"In this provocative new book, Driscoll 'sights, cites, and sites' white religion, drawing it into focus in an effort better to address the ways that whiteness functions religiously in America today. Suggesting that 'white religion' is a racially/religiously inflected inability to accept human limits, Driscoll mines existentialist, anthropological, and narrative sources to point us away from a paralytic cultural fear of death, toward a hopeful twilight of the (white) gods."
Laurel C. Schneider, Vanderbilt University, USA
"Responding to the growing visibility of mainstream violence directed to black bodies, White Lies performs a high-wire dance between philosophy and anthropology, God and idol, whiteness and its own possible 'dying' in the fraught space of America."
James W. Perkinson, Ecumenical Theological Seminary, USA
"White lies is a brilliant thought-provoking interruption of our god-idols – critical theory at its best, empowering us to go beyond white religion."
Jürgen Manemann, Hanover Institute for Philosophical Research, Germany
"Recommended"B. Weston, Centre College in CHOICE

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Prize: Winner of the British Society for Literature and Science Book Prize 2014  'Leah Knight’s Reading Green in Early Modern England is fresh, energetic, and rich in historical detail without forfeiting lucidity or personal voice. Readers will learn, in eco-friendly but unpolemical terms, about how exterior nature entered interior design, about the salubrious functions of green light for the eyes and flowery air for the lungs, about dancing trees and inscribed trees, and about how all these traditions shaped the scientific and literary writings of the period.' Robert N. Watson, Neikirk Distinguished Professor of English, UCLA  'We may think that the virtues of being 'green'--as an attitude towards the world and a philosophical and political movement--are essentially metaphorical, but in Knight's wide-ranging and penetrating analysis we see just how literally the early moderns took all things green. For the senses of sight, smell and hearing and the intellectual activities of reading and writing (and their associated acts of naming and carving), Knight shows that the green world was a powerfully charged agent of individual and collective good. All explorers of early modern ideas about our relationship with the natural world are in Knight's debt for this meticulous and perceptive study.' Gabriel Egan, Professor of Shakespeare Studies and the author of Green Shakespeare and the forthcoming Shakespeare and Ecocritical Theory  ’... Knight connects seeing, breathing, painting, carving, and Early Modern literary culture. ... this detailed study will prove informative for those interested in Early Modern English concepts of the natural environment and human sensory perception. Summing Up: Recommended. Graduate students, faculty, researchers.' Choice  'Knight has produced an experimental, original, and fascinating book whose underlying messages suggests all criticism bears a green imprint.' Review of English Studies  '... quirky, well-informed and literary ... [The book

Reading Green in Early Modern England

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Praise for Jane Mayer&rsquo;s Dark Money&ldquo;Revelatory. . . . Persuasive, timely and necessary.&rdquo; &mdash;The New York Times&ldquo;Dark Money&#160;is more than just a work of political journalism&mdash;it&rsquo;s a vital portrait of a nation that, as perhaps never before, is being shaped by a few very rich, very conservative businessmen.&rdquo; &mdash;San Francisco Chronicle&#160; &#160; &ldquo;Absolutely necessary reading for anyone who wants to make sense of our politics.&rdquo; &mdash;The New York Review of Books&#160;&#160;&ldquo;Deeply researched and studded with detail . . . Seems destined to rattle the Koch executive offices in Wichita as other investigations have not.&rdquo;&#160;&mdash;Washington Post&ldquo;With such turmoil on the right wing of American politics, reading&#160;Dark Money&#160;is like reading the first chapter of what may be a great political page-turner.&rdquo;&#160;&mdash;Chicago Tribune&ldquo;Jane Mayer . . . is, quite simply, one of the very few utterly invaluable journalists this country has.&rdquo;&#160;&mdash;Esquire&#160;&ldquo;Amazing. . . . The most important political book of the year.&rdquo; &mdash;St. Louis Post-Dispatch&#160;&ldquo;Dark Money&#160;is almost too good for its own good.&rdquo; &mdash;Los Angeles Review of Books&ldquo;[A] comprehensive history. . . . Stunning.&rdquo;&#160;&mdash;Salon&#160;

The Hidden History of the Billionaires Behind the Rise of the Radical Right

Dark Money

Deutsche Lektüre für das GER-Niveau B1. Gekürzt, mit Annotationen

Drei Männer im Schnee

Die Erste - Spaltung (Lise Meitner, Physikerin)

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