Exkursion in die Metamedialität. Zum Verhältnis von Autobiographie und Fiktion in Patrick Roths "Die amerikanische Fahrt. Stories eines Filmbesessenen"

"As Harley begins dating one of a group of ballerinas, he starts to become suspicious of the potentially threatening behavior of the rest. The narrative moves believably from...romance to somewhat chilling horror.... Recommended for those who want more than just a romance." --Kirkus Reviews"For those who like their ballet books with a touch of mystery and horror, Unlovely is a very enjoyable book. The writing is outstanding! There are sentences and paragraphs that are so hauntingly evocative you will want to read them two or three times.... It is a fun, fascinating read. The story moves as gracefully, beautifully and tragically as the ballet itself." --Ballet Connections"So many YA novels are written from a female perspective, so it's nice to occasionally read one with a male POV. Celeste Conway writes a believable guy in Unlovely." - Forever Young Adult"The right mix of mystery and reality. The murders are shrouded in mystery, creating a suspenseful atmosphere. I would highly recommend this book to anyone who enjoys romance or mystery." --TeenReads.com"Chilling new young adult thriller. A reader of any age may become engaged in the well-written suspense of the story." --Reviewing the Evidence"This is a twisty, dark, deep story...I was really blown away by [Celeste's] writing.... Intense and thrilling.... Complicated and deep, and layered and passionate, and beautiful and creepy, and scary all at the same time.... The writing in this book is so beautiful. This is a great book for anyone who likes [a] twisted and dark...romance." --YA Asylum"Conway's newest has writing that [is] beautiful.... Harley's experiences hit on the unsettling feeling of returning to a hometown that is at times both strange and familiar...with the extra peril of a longstanding mystery added in." --Booklist

Unlovely

Oppression and Resistance

A Halfway House for Women

University of Massachusetts Amherst Athletics

Kwaliteit En Veiligheid in Patiëntenzorg

Christmas With The Biker

Essays in Hindu Theology

The Wildlands

Sojourn

[A] consistently compelling read replete with unexpected plot twists and turns making it highly recommended for personal reading lists.

Endgame

God Wants to Speak to His Daughters

Ten Commandments for Women

Analysis of Metallic Antennas and Scatterers

Implications for Federal Programs and Policy Responses

The Growing Gap in Life Expectancy by Income

Producing Ancient Scripture: Joseph Smith's Translation Projects in the Development of Mormon Christianity

The Best American Short Stories 2002

The Chaplain's War

Heroes, Underdogs, Courses, and Championships

Arnie, Seve, and a Fleck of Golf History

Hippie

Women Food and God Coloring Book

Criticism of the Works of Novelists, Poets, Playwrights, Short-Story Writers, and Other Creative Writers Who Lived Between 1990 and 1999, from the First Published Critical Appraisals to Current Evaluations

Twentieth-Century Literary Criticism

Novelle

Schwüle Tage

"The strength of the book lies in its focus on the invitation to participate, rather than participation per se. White's analysis explores the impact of participation on the audience and examines the audience's place in the aesthetic of participatory work. By bringing the processes and media of audience participation into focus and looking to relevant theories that help unpack and explain the procedures through which practitioners establish these participatory approaches, this book is useful as a practical 'how-to' for those exploring this practice for themselves. By focusing on the activity that makes an invitation understood by an audience and the process through which they accept (or decline) that invitation, the book widens its scope and becomes a useful addition to the more general area of performance analysis. This book addresses the complexities of participation in contemporary performance, including arguments around embodied interpretation and the varied political intentions and consequences of such practice. It will be of great interest to those working within the field of Applied Theatre as well as appealing to more general scholarly interest in Theatre and Performance Studies." - Josephine Machon, Middlesex University, UK

'Gareth White's Audience Participation in Theatre proposes a much-needed theory of the invitation to participate in theatre... [It] is an ambitious book given its scope, shuttling across a range of forums for audience participation, as well as a diverse selection of scholarly disciplines and fields. But the ambition pays off. Invitations to participate are treated as a tightly defined crux around which a broadly defined field of participatory theatre revolves. This crux is elucidated through the deployment of multiple analytical perspectives, each with their own useful vocabulary and modes of thinking, leaving the reader with a wealth of ideas to work with and apply to aesthetic examinations of audience participation. What emerges is a book that borrows broadly, but appropriately, in setting forward a series of sound theoretical propositions about audience participation at a time when precision on this particular front cries out for attention.' - Adam Alston, Contemporary Theatre Review

Aesthetics of the Invitation

Audience Participation in Theatre

Essays on Otherness

Putting Out

Awakening Your Power of Self-Healing

&ldquo;A comprehensive room-by-room guide to design accompanied by bite-size instructional tips.&rdquo;&nbsp; &mdash; THE CANADIAN PRESS

At Home: Sarah Style

The Invasion That Never Happened

Peppa and crew cheerfully proffer a lesson about expectations, disappointments, and being resourceful.&#8212;Publishers WeeklyThe text and story are clear and appealing...&#8212;School Library Journal

Exkursion in die Metamedialität. Zum Verhältnis von Autobiographie und Fiktion in Patrick Roths "Die amerikanische Fahrt. Stories eines Filmbesessenen"

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