Secret of the Old Red Barn: A Story about Our Church's Beginning

&#8220;Fact and fiction intertwine in this project&#8212;fact and fiction, real and imaginary, dance in this book&#8212;daring the reader to see preservation and architectural history as something playful and more inclusive of creativity than one might think.&#8221;&#8212;World Architects

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“52 Men suggests that our identity is at least in part a product of our romantic past, and that the particulars we choose to depict that past are significant, comprising a kind of personal psychobiography. . . . Leonard’s focus is zoom-lens tight: she describes the various men, zeroing in on what they said and did—and how she responded—in a pivotal moment. . . . She suffered a grievous early trauma . . . and she’s wounded. Yet she’s also slyly, coolly observant and has transformed her experiences into art. . . . We know her, ultimately, through the book she has written. The narrative specifics she selects to describe the men are hers, as is the deadpan humor; all of it arises from her artistic consciousness. . . . Although in style and tone 52 Men differs from either Elizabeth Hardwick’s Sleepless Nights or Renata Adler’s Speedboat, it is, like both of these books, a novel of impressions unified by the author’s sensibility.”







—Amanda Fortini, Los Angeles Review of Books

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Secret of the Old Red Barn: A Story about Our Church's Beginning

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