Eisenwerker

Heiko Schütz

The Costs and Challenges of Continued Whiteness in the Americas and Beyond

Marginality in the Urban Center

Politics, Regulation and the Modern Welfare State

Vertical Agreements in EU Competition Law

op. 20. 4 Violinen, 2 Violen und 2 Violoncelli. Studienpartitur

Oktett Es-Dur

John Dos Passos

»Mirmar‹ erzählt von feministischen Utopien und von der Liebe abseits heteronormativer Zweier-Beziehungen, mit einem scharfen Blick für das Leben und Arbeiten in digitalen wie in analogen Welten, mit Witz und einer großen Zärtlichkeit für die Figuren.«

Roman

Mirmar

and other questions about rivers

A Question of Geography: How Can a River Just Vanish?

Rock Inscriptions and Graffiti Project, Volume 3

U/P: Lean Business Philosophy: True-North Value

Mikroanalyse

Uma maneira simples de conversar com seus filhos sobre oração, princípios morais, valores, servir aos outros e muito mais!

Conversas de Fé em Família

Place, Materiality and Embodied Knowing

Visual Arts Practice and Affect

The international bestselling memoir

Educated

Fluids Maintenance for Kids

Jack's Garage

Not Paul, but Jesus

Debunking 35 Myths about Human Intelligence

In the Know

The Right Honourable Lady

The M240 Machine Gun: From the 1918 to the 1918a3-Slr

Making His Way, Frank Courtney's Struggle Upward

Mal und geteilt bis 1000

DIE BUNTE REIHE - Mathematik

Kill the Lax Bro

Sacred Inner Dialogue: Sid Volume 1

The Company of Demons

Prayers & Promises for Women

Die Humanisten / Die Vermählung der Toten / Der heilige Sebastian

Florentiner Novellen

The Book of Whispers

“Late in Marc Fitch’s book Boy in the Box, the protagonist says, “I don’t think we know what we’re dealing with here,” and so we head fearfully into the final 100 pages or so of a skillful exercise in horror one can’t help but compare to a masterpiece of the genre, Algernon Blackwood’s “The Willows.” Fitch’s guilt-ridden trio marches into a wilderness possessing danger they don’t properly fear until, of course, it’s well too late. The novel begins with a tip-toeing dread and builds at a measured pace to a jog and then a run as the protagonists’ attempts to right a wrong from the past open the floodgates to mind-wrenching horror. Fitch’s prose is concise and glues the reader’s attention in a manner making it difficult to put the book down until it’s dismal conclusion. This is solid reading for fans of the genre and would certainly make for a nice introduction for those wandering into this particular forest for the very first time.”

Heiko Schütz

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