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&ldquo;Delightful and quirky.&rdquo;&mdash;Nerdist&#160;&#160;&ldquo;A breath of fresh air.&rdquo;&mdash;Comic Book Resources

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"Bohjalian is a master of literary suspense. . . .  [His] are the sorts of books people stay awake all night to finish." &#8212;The Washington Post Book World"Artfully constructed and fiercely felt. . . . Bohjalian is . . . rearranging our previous assumptions, producing the sense of shock we felt viewing The Sixth Sense." &#8212;The Miami Herald"Terrifying. . . . Laurel is an unforgettable, vulnerable, complicated character." &#8212;The Los Angeles Times"The Double Bind is simply one of the best written, most compelling, artfully woven novels to grace bookshelves in years. Immediately after the spellbinding surprise ending, readers will want to begin again. . . . It's THAT good."  &#8212;The Associated Press&#8220;The sort of book you want to read in one sitting, and it packs a twist at the end that will leave you speechless.&#8221; &#8212;Jodi Picoult"Harrowing.... The Double Bind has a powerful statement to make about the nature of obsession and mental illness, as well as the lingering effects of psychological trauma.... A stunner." &#8212;The St. Petersburg Times"Great fiction... un-put-down-able." &#8212;People "Ingenious.... He's compassionate about mental illness, wise about the healing power of art. He moves easily and convincingly back and forth from different points of view and manages to create authentic voices." &#8212;The Boston Globe"A psychological thriller . . . a chilling depiction of the ways we choose to remember as well as what we forget." &#8212;New York Daily News"A page-turner with a wicked twist at the end." -&#8212;Life Magazine

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Praise for Junichiro Tanizaki's The Makioka Sisters&#8220;A masterpiece of great beauty and quality.&#8221; &#8211;Chicago Tribune&#8220;Skillfully and subtly, Tanizaki brushes in a delicate picture of a gentle world that no longer exists.&#8221; &#8211;San Francisco Chronicle

The Makioka Sisters: Introduction by Edward G. Seidensticker

"...first definitive and in-depth volume on preppy fashion, exploring its evolution from its pragmatic origins and presence on elite Eastern campuses in America to its profound influence internationally and metamorphosis on the runway..." ~Habitually Chic

Cultivating Ivy Style

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The Principles of Pleading and Practice in Civil Actions in the High Court of Justice

&#8220;Perceptive. . . . Sweet. . . . The often-poignant writing embraces wit, tragedy, joy.&#8221; &#8211;The Miami Herald&#8220;Sparkling. . . . Wasserstein comes off . . . warm and honest, unassuming and modest. She&#8217;s the quirky, cool aunt you always wished were your mom.&#8221; &#8211;The Boston Phoenix&#8220;Wendy Wasserstein writes with a heart as big as The Ritz. . . . These funny, truly intimate and uncommonly passionate pieces are a model of their kind.&#8221; &#8211;Terrance McNally&#8220;Gut-wrenching, life-affirming . . . show[s] how powerful good writing can really be.&#8221; &#8211;New York Post

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Kenning's Masonic Encyclopedia and Handbook of Masonic Archeology, History and Biography

&#8220;Filled with delicious ironies and feminist wit.&#8221;-- Magill Book Reviews&#8220;An intelligent novel of great suspense in which love, death, fiction, and reality all intersect in the telling of its story.&#8221; &#8211;Isabel Allende

A Novel

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"Two psychiatrists driving a motor home around America, and you're still wondering whether to buy this book? Step on the gas and go straight to the register." &#8211;Jeff Arch, Academy Award-nominated screenwriter, Sleepless In Seattle"Doreen Orion has a fresh, wry voice that's all her own and she works it like a rodeo rider in her light-hearted and yet tender new memoir, Queen of the Road."&#8211;Jacquelyn Mitchard, New York Times bestselling author of The Deep End of the Ocean &#8220;His dream &#8212; he&#8217;s always wanted to see America in a converted bus &#8212; and her nightmare &#8212;she has a bus phobia &#8212; and their mid-life crisis on wheels, make for a hilarious reading adventure.&#8221; &#8211;Mary-Lou Weisman, author of Traveling While Married "You will never look at a psychiatrist the same way again. And you will never take a bus driver for granted, either."&#8211;John Elder Robison, New York Times bestselling author of Look Me in the Eye"Doreen Orion and her handyman husband Tim prove, with abundant laughs and martini shaker in hand, that sometimes the best way to enrich home-life is to leave the home...or, better yet, just put it on wheels." &#8211;Franz Wisner, New York Times bestselling author of Honeymoon with My Brother"Orion has every good travel writer's ability to make readers feel they are there, to capture the telling details of places, and to present the account in a witty, accessible way. Reading the book makes you want to hit the road and have some of your own grand adventures. This is a fun read that will make just about anyone start itching for a road trip. Grade 'A.'"&#8211;Rocky Mountain News"A Charles Kuralt-Albert Brooks-style romp where they meet up with nudists, robbers and more. Required Reading." -The New York Post "Hot Summer Read." - Chicago Tribune"The Elizabeth Gilbert Antichrist." - The Oregonian"Beneath its fun and frothy exterior, you'll find in this wild ride across America's highways and byways a lovely portrait of a marriage that treats its ups and downs with humor and grace." - Elle MagazineA charming, insightful and - most important - hilarious book that evokes the best of Bill Bryson and David Sedaris, but spotlights the unique voice of a gifted memoirist. - Jonathan Kellerman, New York Times Bestselling Novelist"Queen of the Road is basically what would happen if you took me, gave me a modicum of maturity and a better education, and then tricked me into living on a (very nice) bus with my husband and pets for a year. I loved this book and I love this author." - Jen Lancaster, bestselling author of Bright Lights, Big Ass, Bitter is the New Black and Such a Pretty FatThe author's charm, intelligence and wit make this multi-faceted memoir a must-read. Eat, Pray, Love - without the depression - meets Confessions of a Shopaholic - without the ditz. - Denver Magazine"A funny, inspiring travel memoir of one couple's cross-country motorhome trip and how it changed their lives.... an action-packed, romantic journey of trials and transformations." - Family Motor Coaching Magazine.&#8220;Part travel memoir, part diva-on-a-bus-tour comedy.&#8221; - 5280 Magzine

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&#8220;Dazzlingly inventive . . . It deserves to change the way we think about the electronic frontier.&#8221; &#8212;Los Angeles Times Book Review&#8220;A manifesto that shakes you up, making you aware of how much is lost when a culture turns &#8216;ideas&#8217; into &#8216;intellectual property.&#8217;&#8221; &#8212;The New York Times Book Review&#8220;A breath of fresh air in a crowded field . . . This book is a public service.&#8221; &#8212;The New York Times&#8220;Lessig is one of the brightest minds grappling with the consequences of the digital world today, as deft and original with technical intricacies as he is with broad legal theory. . . . The Future of Ideas succeeds marvelously.&#8221; &#8212;The Nation&#8220;Lessig&#8217;s book will serve as an excellent guide.&#8221; &#8212;The Washington Post Book World

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runoja

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The very first time I saw Father Edward&#8217;s face, I knew I would learn something about &#8216;men of the cloth&#8217;.  A little the way you come to realize that your most erudite teachers have nightmares and hurt feelings and stomach aches. I had always been a little too much in awe of Priests, monks and other clergy or theological types.  Maybe this is because they have to keep a distance in order to have you (the hopeful believer) believe they are a link to the great unknown.  Edward Beck allows us close enough to see the emotions of a man.  Because of the flawed humanity revealed, there is more reason to see that link.  It will mean something special to the reader to see the courage that enables him to reveal himself so simply and honestly.  To identify with him: to empathize, to feel his doubts , and then his overriding desire to go beyond and through them, is what his journey is about.-Carly Simon

Spiritual Memoirs of a Catholic Priest

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&ldquo;Frothy fun . . . Faster than a swiping Visa, more powerful than a two-for-one coupon, able to buy complete wardrobes in a single sprint through the mall&mdash;it&rsquo;s Shopaholic!&rdquo;&mdash;The Washington Post &#160; &ldquo;Madcap adventure.&rdquo;&mdash;People &#160; &ldquo;A page-turner . . . [Sophie] Kinsella at her most hilarious best.&rdquo;&mdash;Fort Worth Star-Telegram &#160; &ldquo;Screamingly funny.&rdquo;&mdash;USA Today

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"Stern, who was dean of the  School of Architecture for 18 years, took himself and his firm on a deep  dive into Yale&rsquo;s gothic architecture and its Oxbridge roots in order to  design Benjamin Franklin and Pauli Murray Colleges. This lavishly  illustrated book documents that process thoroughly with essays,  drawings, diagrams,&#160;and photographs."&mdash;Yale Alumni Magazine

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&#160;&ldquo;&hellip;anyone interested in engaging in candid albeit stakes-changing debate, anyone who had an investment in equity, humanity, and it&rsquo;s future&hellip;gained tremendously from the variegated prism through which [Baldwin]&#160; viewed and translated the world. . . . These pieces, previously uncollected, not only give us a sense of the physical distances he traveled to &lsquo;bear witness&rsquo; but also the intellectual latitude he stretched.&rdquo; &mdash;Los Angeles Times&#160;&#160;&ldquo;Baldwin on race is Baldwin on the white American psyche. . . . The Cross of Redemption becomes an absorbing portrait of Baldwin&rsquo;s time&mdash;and of him.&rdquo;&#160; &mdash;New York Review of Books&ldquo;At a time when serious people claim we live in a &lsquo;post-racial&rsquo; society, the reappearance of Baldwin&rsquo;s writing&mdash;insistent, accusatory, outraged&mdash;feels like a terrible family secret coming to light in an Ibsen play, or Banquo&rsquo;s ghost showing up to spoil the party. . . . It&rsquo;s not easy to do what Baldwin did&mdash;not even for Baldwin. In fact, this volume unwittingly shows just how brutal the struggle could be.&rdquo; &mdash;Newsweek&#160;&ldquo;&hellip;This book, which includes early fiction sketches that grew into Go Tell It On The Mountain and Giovanni&rsquo;s Room was vibrant to the last, and his final products were a fitting, natural end to the long trajectory of his joyful misanthropy. . . . Baldwin&rsquo;s essays are among the best in English since Orwell&rsquo;s, and are freighted with the same weary skepticism, the same register of encomium and warning.&rdquo; &mdash;Bookslut&#160;&ldquo;The Cross of Redemption amounts to an album of &lsquo;studio tapes&rsquo; on which we hear songs we know in ways we&rsquo;ve never heard before.&rdquo; &mdash;Quarterly Conversation&#160;&ldquo;The concept of racial identity as a conscious choice had never occurred to me before I encountered it in Baldwin&rsquo;s work. . . . Baldwin exposes the seamlessness of America&rsquo;s racial past, present, and future.&rdquo; &mdash;Timothy Ledwith, Open Letters Monthly&#160;&ldquo;These assorted essays, letters, reviews and profiles act as a reminder of the great power language has when used in the service of a talent like Baldwin&rsquo;s. . . . Kenan has done us all a great service.&rdquo; &mdash;Austinist&#160;&ldquo;This momentous collection of essays, book reviews, speeches, letters and journalism&mdash;and one short story&mdash;is a fierce and felicitous reminder of how towering a literary figure James Baldwin was.&rdquo;&mdash;Outlook Columbus&#160;&ldquo;There are many gems here: Baldwin&rsquo;s impassioned essays on music, his talks on anti-Semitism, and article about a boxing match. . . . These days, it can be difficult to find something as lasting as a Baldwin essay&mdash;as the kind of writing that gets under the skin and makes it itch.&rdquo;&mdash;The Harvard Crimson&#160;&#160;&#160;&ldquo;Read this book to gain insight into James Baldwin, the World, and more importantly; Yourself!&rdquo; &mdash;WAGTi Radio&#160;&ldquo;These previously published writings, gleaned for the most part from a variety of periodical sources, have a more powerful resonance when read together in book form. A useful addition for African American scholars.&rdquo;&mdash;Library Journal&#160;&ldquo;&hellip;Offers a searing introduction to readers unfamiliar with his work and a welcome reminder to his fans of his sorcery with the English language. . . . Even at his most acerbic and skeptical, Baldwin clings to the ideas of hope and reconciliation in America.&rdquo; &mdash;The Seattle Times&#160;&ldquo;The Cross of Redemption: Uncollected Writings, James Baldwin&rsquo;s passionate hope for a better America, a United States that he can believe in and that believes in a brilliant black person, comes through in each piece of this disparate collection.&rdquo; &mdash;South Florida Times&#160;&ldquo;&hellip;Brings the lights of day to many excellent pieces excluded from the Library of America&rsquo;s &lsquo;Collected Essays of James Baldwin&rsquo;. . . . essential.&rdquo; &mdash;SF Gate&#160;&ldquo;&hellip;While Baldwin was committed to pulling back the curtain on the forces he felt were manipulating America&rsquo;s problems, he was also very serious about closing the gap between those in power and the disenfranchised. This new collection shows that he was willing to take on black, white, rich, or poor to see that happen.&rdquo; &mdash;Christian Science Monitor &#160;&ldquo;The opportunity to further bask in Baldwin&rsquo;s readably precise prose is a welcome gift. . . The Cross of Redemption shows why Baldwin should never be allowed to go out of fashion.&rdquo; &mdash;Austin Chronicle&#160;&ldquo;Baldwin is biting and insightful in his critique of religious fundamentalism, the prospects of a black president, the hypocrisy of the American art and cultural scene, the challenges of black nationalism, and the complexities of race and identity. In the long passages of his essays and the short, acerbic comments in his interviews, Baldwin shows a masterful sweep of language and ideas and feelings that continues to resonate.&rdquo;&#160; &mdash;Booklist&#160;&ldquo;Kenan&rsquo;s introduction and headnotes are models of critical good sense; his awareness of both &lsquo;Baldwin&rsquo;s achievements that beggar the imagination&rsquo; and of the &lsquo;grab bag&rsquo; quality of some pieces makes him the perfect shepherd for those &lsquo;lost&rsquo; works.&rdquo;&mdash;Publisher&rsquo;s Weekly&#160;&#160;&ldquo;What you find here is a book that superbly reopens an unfinished life. In an age that people claim is &lsquo;post-racial,&rsquo; the Baldwin&rsquo;s-eye-view still seems to answer more questions than most other living writers. . . .[an] invaluable book of uncollected writings.&rdquo;&mdash;Buffalo News&#160;&#160;&ldquo;His writing was diamond: sparkles, flashes and hard. The beginning of the collection, Baldwin states the purpose of his writing was to tell the truth. He succeeds. The Cross of Redemption is a remarkable collection.&rdquo;&mdash;aalbc.com&#160; &ldquo;Baldwin&rsquo;s Cross burns with rage, smoothly, like a cocktail mixed perfectly, Manhattan or Molotov.&rdquo;&mdash;studio-walton muyumba&#160;In Praise of James Baldwin&#160;&#160;&ldquo;Baldwin&rsquo;s gift to our literary tradition is that rarest of treasures, a rhetoric of fiction and the essay that is, at once, Henry Jamesian and King Jamesian.&rdquo; &mdash;Henry Louis Gates, Jr.&#160;&#160;&ldquo;Baldwin&rsquo;s way of seeing, his clarity, precision, and eloquence are unique . . . He manages to be concrete, particular . . . yet also transcendent, arching above the immediacy of an occasion or crisis. He speaks as great black gospel music speaks, through metaphor, parable, rhythm.&rdquo; &mdash;John Edgar Wideman&#160;&#160;&ldquo;Moralistic fervor, a high literary seriousness, the authority of the survivor, of the witness&mdash;these qualities made Baldwin unique.&rdquo; &mdash;The New York Review of Books&#160;&#160;&ldquo;The best essayist in this country&mdash;a man whose power has always been in his reasoned, biting sarcasm; his insistence on removing layer by layer the hardened skin with which Americans shield themselves from their country.&rdquo; &mdash;The New York Times Book Review&#160;&#160;&ldquo;He has not himself lost access to the sources of his being&mdash;which is what makes him read and awaited by perhaps a wider range of people than any other major American writer.&rdquo; &mdash;The Nation&#160;&#160;&ldquo;[Baldwin is] among the most penetrating and perceptive of American thinkers.&rdquo; &mdash;The New Republic

1914 the First World War at Sea in Photographs

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