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"Sorokin completed the three novels of the Ice Trilogy in 2008. Now, thanks to a translation by Jamey Gambrell that heroically endeavours to capture its myriad voices, from watercolour lyricism to purest pulp, we can enjoy it in all its gaudy glory. Think William S Burroughs, and Michel Houellebecq, and Will Self, all whizzed into this delirious post-Soviet SF mash-up. I found some sections absolutely exquisite, some unexpectedly moving, some intellectually exhilarating - and plenty just grotesque and absurd, as Sorokin no doubt planned....&#160; Ice Trilogy becomes extraordinary when Sorokin drives this old dystopian banger off the fantasy highway and into the darkest places of the Russian &ndash; and European &ndash; 20th century. In one bravura set-piece after another, he not only re-visits key tragedies of modern times, but mimics &ndash; or re-voices &ndash; the literary styles that partner them. ....&#160; In the first volume, Bro, we begin in Chekhov territory...The middle volume, Ice, begins in the 1990s with an outlandish parody not so much of Russian life in the heyday of Yeltsin and the oligarchs as the West's cartoon representation of it.....Then in one of Sorokin's trademark lurches, we switch back to a noble Vasily Grossman-esque wartime drama... In the final part, 23,000, these wilful collisions grow more extreme. A Spielberg-style finale leaves us frozen in the postmodern fix...."&#160; --Boyd Tonkin, The Independent&#160;&ldquo;So we yearn for certainty, salvation, the absolute-what's wrong with that? We always  have and we always will. Go ahead, Sorokin seems to say; you can't really help it.  Just be careful what you wish for. . . . Those readers (and reviewers) who turn to  literature for consolation, or moral enlightenment, or lessons in self-esteem, are  well advised to look elsewhere.&rdquo;-Christian Caryl, The New York Review of Books&ldquo;The Ice Trilogy is devoted to the fortunes of an apocalyptic Brotherhood whose members believe they are bodily incarnations of a primordial light. But they are only made aware of their true identity be being &lsquo;awakened&rsquo;, in a process that involves being bashed in the chest with a hammer made of ice&hellip;.The fact that the readers see events through the Brotherhood&rsquo;s eyes is a powerful estranging device: we are forced to accept as legitimate the perspective of delusional psychopaths, and constantly made to reread history from their point of view. This is the most provocative aspect of the trilogy: its aspiration to unsettle conventional historical narratives.&rdquo; &ndash; Tony Wood, London Review of Books&#160;

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Die zwei ersten Jahrhunderte der Schweizergeschichte

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