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&ldquo;Exhilarating.&rdquo; &mdash;The Washington Post&ldquo;Some novelists hold a mirror up to the world and some, like Haruki Murakami, use the mirror as a portal to a universe hidden beyond it.&rdquo; &mdash;The Wall Street Journal&ldquo;[Murakami] is as masterful as ever.&rdquo; &mdash;Houston Chronicle &#160; &ldquo;A spellbinding parable of art, history, and human loneliness.&rdquo; &mdash;O, The Oprah Magazine &#160; &ldquo;The product of a singular imagination.&rdquo; &mdash;San Francisco Chronicle &#160; &ldquo;Expansive and intricate.&rdquo; &mdash;The New York Times &#160; &ldquo;Beguiling. . . . Murakami is brilliant.&rdquo; &mdash;The Guardian&ldquo;Dazzling. . . . [Murakami] reveals how an artist sees the world.&rdquo; &mdash;Entertainment Weekly &#160; &ldquo;[A] sprawling, uncanny epic. . . . A time-traveling tale of loss, longing, and the creation of art&mdash;with an ample dash of Murakami&rsquo;s trademark deadpan humor.&rdquo; &mdash;Vanity Fair &#160;&ldquo;A perfect balance of tradition and individual talent. . . . Murakami dancing along &lsquo;the inky blackness of the Path of Metaphor&rsquo; is like Fred Astaire dancing across a floor, then up the walls and onto the ceiling.&rdquo; &mdash;The Spectator &#160; &ldquo;A surreal, world-altering epic punctuated by art, literature and history.&rdquo; &mdash;Time &#160; &ldquo;[Murakami] once more explicates the seemingly impossible with such thorough, exacting conviction to make believers of us all.&rdquo; &mdash;The Christian Science Monitor &#160; &ldquo;No other author mixes domestic, fantastic and esoteric elements into such weirdly bewitching shades. . . . Just as [Murakami] straddles barriers dividing high art from mass entertainment, so he suspends borders between east and west.&rdquo; &mdash;Financial Times &#160; &ldquo;[Killing Commendatore] marks the return of a master.&rdquo; &mdash;Esquire &#160; &ldquo;The complex landscape that Murakami assembles in Killing Commendatore is a word portrait of the artist&rsquo;s inner life.&rdquo; &mdash;The Times Literary Supplement &#160; &ldquo;Fascinating. . . . Drawing on Buddhist spiritualism, metaphysics and magical realism&mdash;not to mention Lewis Carroll&mdash;Killing Commendatore finds its narrator enmeshed in a singular philosophic adventure.&rdquo; &mdash;Pittsburgh Post-Gazette &#160; &ldquo;Enthralling.&rdquo; &mdash;Forward &#160; &ldquo;Murakami beautifully captures the evanescence of inspiration.&rdquo; &mdash;Vulture &#160; &ldquo;Its size, beauty, and concerns with lust and war bring us back to the vividness and scale of [Murakami&rsquo;s] 1997 epic, The Wind-up Bird Chronicle.&rsquo;&rsquo; &mdash;The Boston Globe &#160; &ldquo;Lovely and strange.&rdquo; &mdash;Bustle &#160; &ldquo;Wild, thrilling. . . . Murakami is a master storyteller and he knows how to keep us hooked. . . . What makes his voice so distinctive, and so captivating, is the mix of precise observation, clarity and deadpan humour.&rdquo; &mdash;The Sunday Times (London)

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Coding Manual for Qualitative Researchers

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