The History Manifesto

"During his distinguished career in the West Riding of Yorkshire, Sir Alec Clegg championed the vital role of music, drama, and dance in children’s lives. In this major reassessment of his progressive legacy, Education through the Arts for Well-Being and Community reaffirms the centrality of the arts in any humane system of education."
William J. Reese, Vilas Research Professor, University of Wisconsin–Madison


"This is a very welcome and necessary book that not only draws together and secures the work of Sir Alec Clegg in British history of education in the UK, but also demonstrates its continued international relevance and usefulness at this crucial point in the history of our planet."
Helen　Pheby　PhD, Head　of　Curatorial　Programme, Yorkshire　Sculpture　Park

"Alec Clegg was a gifted, charismatic, innovative teacher and public administrator. This collection of reflections on his personal and philosophical legacy ret urns us to a boldness of earlier times that is at risk of being forgotten – or worse, distorted – by current rigid dogmas on teaching and learning. English public education has a long history of arts-rich practice, imaginative teaching in the humanities and honouring children’s broader well-being. Alec Clegg is a vital part of that history. Any student, teacher, leader or parent who wants to learn from, and draw on, such understandings needs to read this book."
Melissa Benn is a writer, journalist and campaigner

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"Samarov's minimalist drawings magically capture the frenetic energy and motion of live performance—which is even more of a miracle considering they were mostly done on the fly in darkened back corners of shitty rock clubs and dive bars. Yeah, sure—these brutally honest illustrated recollections let you know what these performances looked and sounded like—but, somehow, Samarov's words and sketches let you know what music felt like. He's a dang conduit." — Kelly Hogan, musician (The Decembrists, Neko Case, Mavis Staples, The Flat Five)"If Iggy Pop hadn't gotten there first, Dmitry Samarov might have called this book I Am the Audience. With its evocative drawings, honest reactions, and intermittent slices of memoir, Music to My Eyes conveys a palpable sense of the community of music—its haphazard venues, its marginal economy, its shifting career paths, its highs and lows. Samarov is loyal but not uncritical, sad and funny pretty much at the same time, and passionately in need of music, which always makes him ready for the next thing, whatever it might be." — Luc Sante, author (Low Life, The Other Paris)"Utilizing a spare, taut prose, Dmitry Samarov explores the boundary of sound and vision, limned both by his own experiences making music and being present at concerts. His pen, both in words and in the illustrations which are the focus of this book, is Samarov's way of joining with the music that has been so much a part of his life. His personal observations on art and life come from a place as visceral and raw as the images he creates and the music that inspires them." — Mick Collins, musician (The Gories, Dirtbombs, Wolfmanhattan Project)

Music to My Eyes

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The History Manifesto

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