Instilling Touchstones of Character

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Maclean's Non-Fiction Bestseller&ldquo;In this book, as in his reviews, Scott&rsquo;s voice is genial, reasonable and self-aware. He elucidates complex ideas with snappy language. He&rsquo;s funny, but not cynical or snarky&hellip;. What he does especially well is explain how art develops and why our varied responses to it matter, pinpointing where criticism fits into the equation.&rdquo; &mdash;Newsday&ldquo;Mr. Scott is very intelligent&hellip;.What may matter more is that Mr. Scott is fun to read&hellip;[Scott] says that the simple questions&mdash;always with complex answers&mdash;that criticism poses are: &lsquo;Did you feel that?&rsquo;&#160; &lsquo;Was it good for you?&rsquo; &lsquo;Tell the Truth.&rsquo;&#160; He reminds us that critical judgments, like art itself, demand intellectual and sensuous, even sexual, responses.&#160; Mr. Scott answers his own demands&hellip;.&rdquo;&mdash;Wall Street Journal &ldquo;Rousing and erudite.&rdquo;&mdash;San Francisco Chronicle  &ldquo;Witty and thoughtful&hellip;. Reading Scott's book is like watching the stiff-upper-lipped hero of a British 1940s thriller facing down his or her adversaries &mdash; modest, brave and utterly unflappable.&rdquo;&mdash;LA Times&#160;&ldquo;If we were looking for an intelligent, informed and often funny account of why we can&rsquo;t live comfortably with criticism (in any of the word&rsquo;s meanings), and can&rsquo;t live without it, either, we need look no further, and shall probably want to read this book more than once&hellip;.&rdquo;&mdash;New York Times &ldquo;Impassioned and deeply thoughtful &hellip;.Scott lays out a taxonomy of meaningful thought (and the meaning of thought itself)&hellip;.His disciplined reasoning, impressive erudition, and deep commitment to his art (as he defines it) are never less than provocative and elegantly articulated. A zealous and well-considered work of advocacy for an art too often unappreciated and misunderstood.&rdquo;&mdash;Kirkus&#160;"This stunning treatise on criticism from New York Times film critic Scott is a complete success, comprehensively demonstrating the value of his art...a necessary work that may enter the canon of great criticism." - Publisher's Weekly starred review

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Praise for Diana Gabaldon&rsquo;s Outlander novels &#160; &ldquo;Marvelous and fantastic adventures, romance, sex . . . perfect escape reading.&rdquo;&mdash;San Francisco Chronicle, on Outlander &#160; &ldquo;History comes deliciously alive on the page.&rdquo;&mdash;New York Daily News, on Outlander &#160; &ldquo;Gabaldon is a born storyteller. . . . The pages practically turn themselves.&rdquo;&mdash;The Arizona Republic, on Dragonfly in Amber &#160; &ldquo;Triumphant . . . Her use of historical detail and a truly adult love story confirm Gabaldon as a superior writer.&rdquo;&mdash;Publishers Weekly, on Voyager &#160; &ldquo;Unforgettable characters . . . richly embroidered with historical detail.&rdquo;&mdash;The Cincinnati Post, on Drums of Autumn &#160; &ldquo;A grand adventure written on a canvas that probes the heart, weighs the soul and measures the human spirit across [centuries].&rdquo;&mdash;CNN, on The Fiery Cross &#160; &ldquo;The large scope of the novel allows Gabaldon to do what she does best, paint in exquisite detail the lives of her characters.&rdquo;&mdash;Booklist, on A Breath of Snow and Ashes &#160; &ldquo;Features all the passion and swashbuckling that fans of this historical fantasy series have come to expect.&rdquo;&mdash;People, on Written in My Own Heart&rsquo;s Blood

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Instilling Touchstones of Character

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