Raves for the Mad Passions series&#8220;With the first in the Mad Passions trilogy, Claremont establishes herself as a force in the genre&#8212;to be kept on readers&#8217; shelves alongside Anne Stuart, Anna Campbell, and Jennifer Ashley.&#8221;&#8212;Romantic Times&#8220;Claremont delivers a tale of love, determination, scandal, and plenty of angst.&#8221;&#8212;Publishers Weekly&#8220;An intense, compelling read with a rewarding &#8216;good conquers evil&#8217; ending.&#8221;&#8212;Kirkus Reviews&#8220;Romance, adventure, passion, torment, and triumph &#8230;A book to savor page by page and then add to your keeper shelf.&#8221;&#8212;New York Times and USA Today bestselling author Grace Burrowes&#8220;Real, intelligent, and gritty but above all deeply romantic. In my opinion, M&#225;ire Claremont is the stunning reincarnation of the Bront&#235; sisters.&#8221;&#8212;Delilah Marvelle, award-winning author of Forever a Lady&#160;

The Dark Affair

A Novel

Undertow

A Global Analysis of Contemporary Vocations for Women

God's Call Is Everywhere

"Ecos Gespür für die Strömungen seiner Zeit, gepaart mit einer furiosen Formulierungskraft, macht die Glossen, die er seit Jahrzehnten für die italienische Zeitung 'L'Espresso' schreibt, einmalig. (...) Eco zeigt, wieviel Klugheit man entfalten kann, wenn man sich mit trivialen Dingen beschäftigt. Kurzweilig, unterhaltsam und lehrreich zugleich." Frankfurter Neue Presse, 26.10.00

"Ein vergnügliches Schatzkästlein, das auch unters Kopfkissen passt. Eco schreibt mit ernster Leichtigkeit, in einem geschliffenen Stil und mit Kunstverstand." Neue Zürcher Zeitung, 14./15.10.00

"Wie immer schreibt Eco leichtfüßig und ironisch, und bleibt der gelassen-pragmatische Aufklärer, der sich nicht zu schade dazu ist, banalste und skurrilste Alltagsphänomen zu deuten." Frank Ufen, Der Tagesspiegel, 03.12.00

Streichholzbriefe 1990–2000

Derrick oder die Leidenschaft für das Mittelmaß

Crystal Gazing

Tauchgänge: Psychoanalyse der äußeren und inneren Realität

Der Polyphem

Les leçons du manuscrit Oxford Magdalen 188

"Grammaire floue" et enseignement du français en Angleterre au XVe siècle

The Iranian Schindler and His Homeland in the Second World War

In the Lion's Shadow

Erläuterung Der Bestimmungen Über Die Disciplinargewalt In Der König. Sächs. Armee Nebst Tabellarischen Übersichten Der Verschiedenen Disciplinarstrafen, Ihres Geltungsverhältnisses Und Ihrer Vollstreckung

Haunted Wearside

Ein Dirk-Pitt-Roman

Cyclop

Quickies: Temptation

House of Secrets

Dürers Hände

Perry Rhodan-Zyklus "Terranova"

Perry Rhodan 2377: ESCHER

Mein Leben

Zwischen zwei Welten

Functional Strength & Power Drills

Kettlebell Conditioning

Oeil sur la Photographie d'Art

Pomi¿dzy wyborem mediów a wykorzystaniem strachu, jaka jest optymalna kombinacja do komunikacji w zakresie zdrowia?

Media i strach przed komunikacj¿ w zakresie zdrowia

Ancient and Modern Perspectives on Freedom of Speech

Parrhesia

How Five Young Women Got Smart, Formed a Money Group, and Took Control of Their Finances

The Smart Cookies' Guide to Making More Dough and Getting Out of Debt

It's a Crime

The Slow Moon

The Colloquy of Poissy

Ecumenism in the Age of the Reformation

Hybrid Vigils

Glauben heute mit dem Heidelberger Katechismus

Terra de llops

Trapped with the Secret Agent

&ldquo;A triumphantly humane book . . . Shields is our elusive, humorous ironist, something like a 21st century Socrates. . . . He&rsquo;s a master stylist&mdash;and has been for a long time, on the evidence of these pieces from throughout his career. The collection can stand as a textbook for contemporary creative nonfiction: erudite, soulful and self-deprecating like John Jeremiah Sullivan; freewheeling and insatiably curious like Geoff Dyer; hilarious and precise like Elif Batuman; and always fresh, clean, vigorous and clear . . . The book&rsquo;s collective tone . . . is strikingly gentle, amiable and above all unpretentious. . . . All good writers make us feel less alone. But Shields makes us feel better. He takes some of the bad of our everyday life and our culture and the whole inescapable mess of being human and sends it back to us as good.&rdquo; &mdash;Clancy Martin, The New York Times Book Review&ldquo;Brilliant and&#160;joyously readable . . . one of America&rsquo;s most accomplished and best writers. . . . In his certainty of getting other people wrong, David Shields is vastly more profound, entertaining, memorable and trustworthy than armies of writers whose presumptions of professional certitude and golden methodology are fatuous and mistaken to alarming degrees. Nothing David Shields writes should be ignored. Sometimes, as here, he is to be read as intently as any writer around.&rdquo; &mdash;Jeff Simon, The Buffalo News"From its Philip Roth epigraph to its final page, this book is tied together by what Shields calls his 'favorite idea'&mdash;that 'language is all we have to connect us, and it doesn&rsquo;t, not quite.'" &mdash;Bill Morris, The Millions&ldquo;Wise, surprising, and relentless . . . At once an essay collection, a memoir and a critical dissection of pop culture and human relationships.&rdquo; &mdash;Jonathan Fullmer, Booklist (starred review)&ldquo;[Other People] showcases thirty-five years of endless curiosity . . . A smart, funny collection of observations, about himself and others . . . Engaging, daring, original.&rdquo; &mdash;Jeff Baker, The Seattle Times&ldquo;A serious book on manhood in contemporary America . . .&#160; As brainy as Sebald or Kundera.&rdquo; &mdash;John Domini,&#160;Los Angeles Review of Books&ldquo;If anyone asks me, &lsquo;Where should I start with this David Shields?&rsquo; I would enthusiastically recommend Other People: Takes & Mistakes.&rdquo; &mdash;Ivan Schneider, Seattle Review of Books&ldquo;Shields offers portraits of &lsquo;other people,&rsquo; including family members, lovers, athletes, and celebrities. However, in these essays, Shields also frequently interrogates his notion of self, focusing a lens on his identity in relation to others. Readers . . . will enjoy this work by an established figure in the field.&rdquo; &mdash;Library Journal&ldquo;The essays that comprise Other People are prime examples of how a singular writer can connect to a multitude of people via the written word.&rdquo; &mdash;Andrew Bomback, Ohio Edit&ldquo;Rangy . . . Carefully observed . . . Glittering.&rdquo; &mdash;Edward Hardy, Brown Alumni Magazine&ldquo;Sharply observed . . . The persistent bite-size introspections help the reader appreciate how well Shields can look at others.&rdquo; &mdash;Publishers Weekly&ldquo;Other People: Takes & Mistakes aims to do nothing less than change how people think about the act of reading; in my case, it has already succeeded, beyond all measure.&rdquo; &mdash;Annie Dillard&#160;&ldquo;One would guess from a title like Other People that it would be about how hellish humans are, but it surprisingly turns out to be the opposite: a book about expressing love. There are whole passages that seem lifted from previous Shields books, dunked in molten earth, and allowed to erupt again; the way they come out here, polished, glittering, makes me think this was the ideal context for them all along, not a book straitjacketed into a subject/narrative but a book promiscuously preoccupied.&rdquo; &mdash;Christopher Frizzelle, The Stranger&#160;&ldquo;David Shields takes the stories we tell about ourselves and others and turns them into a story about all of us. Whether he&rsquo;s thinking about lying, pain, romance, celebrity, tattoos, trash talk, or why we love the movies, Shields knows that under every answer is another question.&rdquo; &mdash;Sallie Tisdale &#160;&ldquo;Other People: Takes & Mistakes has it all: the confusions of the body; the capers of the mind; a vast democratic cast of deeply American characters; and of course the improvised self, sifting and searching, on a quest to make sense of it all&mdash;when it can. This artful collage (tender, witty, warm, intelligent, available, vulnerable) is David Shields at his brilliant best. A beautiful book.&rdquo; &mdash;Charles D&rsquo;Ambrosio&#160;&ldquo;David Shields has nerve and can write about everything.&rdquo; &mdash;Padgett Powell&ldquo;David Shields is the artful trickster of nonfiction. He never stops playing with forms and genres, shifting from memoir to criticism, pastiche to portraiture. Athletes, actors, family; an improbable gallery of alter egos; the big questions and the quotidian moments: they&rsquo;re all here in high-resolution prose. Cultural energies and contradictions flow through Shields. Likewise, in his own exuberant words, &lsquo;all manner of mad human needs.&rsquo;&rdquo; &mdash;Margo Jefferson

Takes & Mistakes

Other People

Tagebücher 2000 - 2001. Ungekürzte Lesung (1 MP3-CD)

Manfred Krug. Ich beginne wieder von vorn

The Dark Affair

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